Musialik Invests In MAAT

Newly appointed CTO of MAAT Inc., Christoph M. Musialik

MAAT Incorporated, a manufacturer of exceptional performance professional audio solutions

New CTO position caps Musialik’s decades of top level engineering and management for some of the seminal developments in professional audio.

Taking responsibility for the technical orientation of MAAT’s future…also gives me an opportunity to keep alive the tradition of legendary audio processing algorithms from Algorithmix.”

— Christoph M. Musialik – MAAT CTO

SANTA CRUZ, CA, USA, October 16, 2017 /EINPresswire.com/ — MAAT Incorporated, a manufacturer of exceptional performance professional audio solutions, today officially announced that Christoph M. Musialik has been appointed Co–Founder and Chief Technology Officer of the company. Musialik’s career spans decades of top level engineering and management of some of the seminal developments in professional audio.

Dr. Musialik is an active member of the AES, IEEE, and Computer Music Society. He is also the Chair of the AES’ Technical Committee on Signal Processing and was presented with their Fellowship Award for his extraordinary achievements in the development of digital audio algorithms. His special contributions to linear–phase equalizers, dynamics processors, digital realizations of analog circuits and restoration tools have resulted in a class of reference quality audio software used worldwide. He is also author of diverse publications covering audio, music, and signal processing subjects.

From his early years, Christoph Musialik was fascinated with music, electronics and computers. In 1979, Dr. Musialik joined Siemens to work on new processor architectures and computer speech I/O technologies. Later, he joined the Studer–Revox Group, where he was responsible for benchmark DSP projects and technological strategy. His contributions significantly influenced the design of Studer’s first DASH multitrack digital recorder and broadcast digital mixing console. Subsequent stints as technical director with the Swatch Group and audio workstation company CreamWare prepared him for the founding of his own professional audio company, Algorithmix. Over the years, that enterprise has been recognized for its expertise in extraordinary audio signal processing technology. Prior to joining MAAT, he held the position of Managing Director at Sennheiser Audio Labs, as well as Manager of Sennheiser Audio DSP Competence Center.

For Musialik, the dawn of computing opened a magical door to fascinating and seemingly unlimited power for real–time audio DSP. As a young development engineer and later, in various management positions, he has been active in designing new products, especially new DSP algorithms. “Taking responsibility for the technical orientation of MAAT’s future, I’m happy to be at the forefront of creating new benchmark–quality tools while concentrating on cutting edge audio algorithms that combine the finest DSP mathematics with psychoacoustics and artificial intelligence,” Musialik said. “This also gives me an opportunity to keep alive the tradition of legendary audio processing algorithms from Algorithmix. Our mission at MAAT is to create outstanding music production tools that automate and optimize the process of engineering, with not only the best possible audio quality but also a measurable increase in wellbeing in the brain of listeners.”

Core personnel are key to any successful venture, and there is no more highly qualified audio engineer than Musialik. Friedemann Tischmeyer, President and co–founder of MAAT Inc., said that, “In the (seven year process) of getting MAAT under way, bringing Christoph on the team is beyond my wildest dreams. His qualifications really are exceptional. For 15 years, I’ve been a hardcore user of all his Algorithmix gems, and am so happy that his joining MAAT brings him back to direct interaction with the pro audio community and his roots. All of us at MAAT look forward, with his help, to entering new fields such as 3D object–based audio for VR and AR, as well as building more glorious implementations of his thinking in the future.”

About MAAT Inc.
MAAT Incorporated, a manufacturer of exceptional fidelity professional audio solutions, is built on the belief that higher accuracy, enhanced workflows and less visual fatigue are hallmarks of better quality. MAAT is derived from “Mastering Academy Audio Tools,” reflecting the deep connection and practical wisdom garnered from years of empirical experience. MAAT’s reliance on hard science and in–depth research balanced by extensive listening redefines audio tools for professionals worldwide.

©2017 MAAT Incorporated. The MAAT logo is a trademark of MAAT Incorporated. MAAT Labs GmbH is a wholly own subsidiary of MAAT Incorporated. All other company and product names are trademarks of their respective owners.

Oliver Masciarotte
Seneschal
+1 415-997-8324
email us here


Source: EIN Presswire

CHRISTMAS TRADITION RETURNS TO ANDY WILLIAMS PERFORMING ARTS CENTER IN BRANSON, MO

Hallmark Presents Maxine's Christmas Carol

The Andy Williams Christmas Extravaganza Starring the Osmonds

The Andy Williams Christmas Extravaganza Hosted by Jimmy Osmond and Starring the 5th Dimension

Christmas is coming to the Andy Williams Performing Arts Center in Branson, MO. This marks the 25th year of bringing this family tradition to Branson.

We look forward to sharing old memories and making new ones this holiday season.”

— Jimmy Osmond

BRANSON, MISSOURI, UNITED STATES, October 13, 2017 /EINPresswire.com/ — For Immediate Release

From: Stacey J. Miller, Publicist
S. J. Miller Communications
781-986-0732

BRANSON, MO – October 14, 2017 – "Again, it's the most wonderful time of the year. Christmas is coming to the Andy Williams Performing Arts Center, and this year is special because it marks the 25th year that we're bringing this family tradition to Branson. There will be a lot of nostalgia as well as surprises for everyone. We look forward to sharing old memories and making new ones this holiday season," says Jimmy Osmond, the youngest member of the renowned Osmond Family and owner of the Andy Williams Performing Arts Center and Theatre.

This year, the Andy Williams Performing Arts Center will host these holiday shows:

The Andy Williams Christmas Extravaganza Hosted by Jimmy Osmond and Starring the 5th Dimension, The Andy Williams Christmas Extravaganza Starring the Osmonds (select dates Jimmy Osmond, Merrill Osmond and Nathan Osmond) and the Lennons, and the award winning “Hallmark Presents Maxine’s Christmas Carol.”

Special guests include Illusionist Rick Thomas, Britain’s Got Talent Singing Sensation Charlie Green, the magical dancing of Pasha and Aliona, Ventriloquist Steve Hewlett, the Lennon Granddaughters, the Andy Williams Singers and Dancers, and the Moon River Band.

All shows run from Saturday through Monday, with no Sunday performances. "As always, it is truly an honor to continue Andy Williams' legacy and bring you the best live holiday entertainment in Branson in 2017," Jimmy Osmond shares. "We hope to see you there."

You can buy tickets at the Andy Williams Performing Arts Center Box Office in Branson. Call 800-MOON-094 or 417-334-4500, or visit www.andywilliamspac.com.

To schedule an interview with Jimmy Osmond, contact Icy Wyatt at 417-334-4626 or email icy@andywilliamspac.com.

Icy Wyatt
Andy Williams Performing Arts Center
417-334-4626
email us here


Source: EIN Presswire

Meet To Keep Revolutionizes The World Of Dating By Combining Online Dating And Matchmaking

Meet to Keep is of the first dating services that has mixed both matchmaking and dating services together. They call themselves an online matchmaking service.

MIAMI, FLORIDA, UNITED STATES, October 13, 2017 /EINPresswire.com/ — October 13th, 2017: Meet to Keep is one of its first kind of dating service since they offer a blend of online dating and professional matchmaking combined. Owing to this fusion, it has given the world of dating the right kind of twist.
One of the key spokesmen for the company was quoted as saying, “Meettokeep.com is the first dating service to offer online dating and matchmaking combined. We call it online matchmaking. This is a fusion of a typical online dating site and an elite matchmaking service. With this service, you get the convenience and affordability of an online dating site, along with the elegance and security of a matchmaking service.”
The members of the site can make use of the customer service number wherein they can easily contact a professional matchmaker. The matchmaker puts in their best effort to guide the members. Like most matchmaking sites, some basic information is verified to ensure that the site has credible members.
Meet to Keep has managed to make a great name for itself even in the short time. A lot of members have already registered on the site as some of them have already managed to spot their perfect dates as well. There aren’t any free profiles because the site believes in sticking to the best quality and also it offers premier and exquisite service.
Online dating has become immensely popular owing to the huge success it has. With so many people finding their partners, it has given hope to millions of others out there that they too could find the love of their life. The monthly package for the site starts at $24.99, 3 months for $59.99, 6 months for $89.99, and 12 months for $119.99. The rates are nearly half the rates of the competitors yet one gets more because they get matchmaking service as well.
With the best matchmaking services, one can be hopeful that they will be able to spot the right partner with whom they can share their ideas, thought and feel the compatibility as well. Those who are looking to explore the details of the website and even look at the possible prospects of dates should make it a point to visit http://www.meettokeep.com/. To set up a consultation call, one can click here.
About Meet to Keep
Meet to Keep is a new kind of online dating website that also offers matchmaking services. The site has blended both the facilities into one and this, in turn, has revolutionized the way online dating is perceived.
Contact Information
Contact Person: Manuel Santana
Contact Number: 508 436 3601
Email-id: info@meettokeepmatchmaking.com
Website: http://www.meettokeep.com/
Address: 1200 Brickell Ave Suite 1950 Miami, FL 33131
###

Manuel Santana
Meet to Keep
508 436 3601
email us here


Source: EIN Presswire

Global Video on Demand Market 2017- Industry Analysis, Size, Share, Growth, Trends and Forecast by 2022

WiseGuyReports.com adds “Video on Demand Market 2017 Global Analysis, Growth, Trends, Opportunities Research Report Forecasting to 2022”reports to its database

PUNE, INDIA, October 13, 2017 /EINPresswire.com/ — Video on Demand Market:

Executive Summary

This report studies the global Video on Demand market, analyzes and researches the Video on Demand development status and forecast in United States, EU, Japan, China, India and Southeast Asia. This report focuses on the top players in global market, like

Amazon

Home Box Office

Hulu LLC

iTunes

Netflix

Telefonaktiebolaget LM Ericsson

Verizon Communication

YouTube

Request Sample Report @ https://www.wiseguyreports.com/sample-request/1835945-global-video-on-demand-market-size-status-and-forecast-2022

Market segment by Regions/Countries, this report covers

United States

EU

Japan

China

India

Southeast Asia

Market segment by Type, Video on Demand can be split into

Sports

Entertainment

Education and Information

TV Commerce

Market segment by Application, Video on Demand can be split into

Application 1

Application 2

For further information on this report, visit – https://www.wiseguyreports.com/enquiry/1835945-global-video-on-demand-market-size-status-and-forecast-2022

Table of Content:

Global Video on Demand Market Size, Status and Forecast 2022 
1 Industry Overview of Video on Demand 
1.1 Video on Demand Market Overview 
1.1.1 Video on Demand Product Scope 
1.1.2 Market Status and Outlook 
1.2 Global Video on Demand Market Size and Analysis by Regions 
1.2.1 United States 
1.2.2 EU 
1.2.3 Japan 
1.2.4 China 
1.2.5 India 
1.2.6 Southeast Asia 
1.3 Video on Demand Market by Type 
1.3.1 Sports 
1.3.2 Entertainment 
1.3.3 Education and Information 
1.3.4 TV Commerce 
1.4 Video on Demand Market by End Users/Application 
1.4.1 Application 1 
1.4.2 Application 2

2 Global Video on Demand Competition Analysis by Players 
2.1 Video on Demand Market Size (Value) by Players (2016 and 2017) 
2.2 Competitive Status and Trend 
2.2.1 Market Concentration Rate 
2.2.2 Product/Service Differences 
2.2.3 New Entrants 
2.2.4 The Technology Trends in Future

3 Company (Top Players) Profiles 

4 Global Video on Demand Market Size by Type and Application (2012-2017) 
4.1 Global Video on Demand Market Size by Type (2012-2017) 
4.2 Global Video on Demand Market Size by Application (2012-2017) 
4.3 Potential Application of Video on Demand in Future 
4.4 Top Consumer/End Users of Video on Demand

5 United States Video on Demand Development Status and Outlook 
5.1 United States Video on Demand Market Size (2012-2017) 
5.2 United States Video on Demand Market Size and Market Share by Players (2016 and 2017)

6 EU Video on Demand Development Status and Outlook 
6.1 EU Video on Demand Market Size (2012-2017) 
6.2 EU Video on Demand Market Size and Market Share by Players (2016 and 2017)

7 Japan Video on Demand Development Status and Outlook 
7.1 Japan Video on Demand Market Size (2012-2017) 
7.2 Japan Video on Demand Market Size and Market Share by Players (2016 and 2017)

8 China Video on Demand Development Status and Outlook 
8.1 China Video on Demand Market Size (2012-2017) 
8.2 China Video on Demand Market Size and Market Share by Players (2016 and 2017)

9 India Video on Demand Development Status and Outlook 
9.1 India Video on Demand Market Size (2012-2017) 
9.2 India Video on Demand Market Size and Market Share by Players (2016 and 2017)

10 Southeast Asia Video on Demand Development Status and Outlook 
10.1 Southeast Asia Video on Demand Market Size (2012-2017) 
10.2 Southeast Asia Video on Demand Market Size and Market Share by Players (2016 and 2017)

11 Market Forecast by Regions, Type and Application (2017-2022) 
11.1 Global Video on Demand Market Size (Value) by Regions (2017-2022) 
11.1.1 United States Video on Demand Revenue and Growth Rate (2017-2022) 
11.1.2 EU Video on Demand Revenue and Growth Rate (2017-2022) 
11.1.3 Japan Video on Demand Revenue and Growth Rate (2017-2022) 
11.1.4 China Video on Demand Revenue and Growth Rate (2017-2022) 
11.1.5 India Video on Demand Revenue and Growth Rate (2017-2022) 
11.1.6 Southeast Asia Video on Demand Revenue and Growth Rate (2017-2022) 
11.2 Global Video on Demand Market Size (Value) by Type (2017-2022) 
11.3 Global Video on Demand Market Size by Application (2017-2022)

12 Video on Demand Market Dynamics 
12.1 Video on Demand Market Opportunities 
12.2 Video on Demand Challenge and Risk 
12.2.1 Competition from Opponents 
12.2.2 Downside Risks of Economy 
12.3 Video on Demand Market Constraints and Threat 
12.3.1 Threat from Substitute 
12.3.2 Government Policy 
12.3.3 Technology Risks 
12.4 Video on Demand Market Driving Force 
12.4.1 Growing Demand from Emerging Markets 
12.4.2 Potential Application

13 Market Effect Factors Analysis 
13.1 Technology Progress/Risk 
13.1.1 Substitutes 
13.1.2 Technology Progress in Related Industry 
13.2 Consumer Needs Trend/Customer Preference 
13.3 External Environmental Change 
13.3.1 Economic Fluctuations 
13.3.2 Other Risk Factors

14 Research Finding/Conclusion

15 Appendix 
Methodology 
Analyst Introduction 
Data Source

Continued…

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Norah Trent
WiseGuy Research Consultants Pvt. Ltd.
+1 646 845 9349 / +44 208 133 9349
email us here


Source: EIN Presswire

Living on the Fringes: A Pop Up Gallery Experience | Seattle, WA | Through October 15, 2017

Showcasing never before seen original band merchandise from the 70s.

We were there in the very beginning, screen printing T-shirts for the Grateful Dead, Journey and other iconic bands in San Francisco during the 70’s.”

— Jeffery Axelrod and Barry Anderson

SEATTLE, WA, USA, October 12, 2017 /EINPresswire.com/ — Living on the Fringes: A Pop Up Gallery Experience

Taking you back to the 1970’s, the year Rock and Roll became fashion. Featured for a limited time here in Seattle Washington is the 1st ever screen print band merchandise in history.

Founders Jeffery Axelrod and Barry Anderson established HIP-O-POTOMUS CREATIONS in 1970. Through original vision inspired by iconic bands and other pop culture icons, they developed the screen print transfer process for T-shirt application.

“We Were There in the very beginning, screen printing T-shirts for the Grateful Dead, Journey and other iconic bands in San Francisco during the 70’s. These custom designed tees are a part of pop culture, from movies like Star Wars to political initiatives such as legalizing marijuana. After 45 years, while cleaning out the San Fran storage unit we shared, we re-discovered our artist proofs. We are excited to share our groovy collaborations with you!
Peace and Love.”

Cheers!
Jeff & Barry

The Bakeree
74 S Lucile St, Seattle, WA 98134

Now through October 15, 2017

Ryan Campbell
The Bakeree
206-659-0574
email us here


Source: EIN Presswire

Global Music Production Equipment Market 2017 Size, Share, Status, Type and Application, Segmentation, Forecast by 2022

WiseGuyReports.com adds “Music Production Equipment Market 2017 Global Analysis, Opportunities Research Report Forecasting to 2022”reports to its database.

PUNE, INDIA, October 12, 2017 /EINPresswire.com/ — Music Production Equipment Market:

Executive Summary

This report studies Music Production Equipment in Global market, especially in North America, China, Europe, Southeast Asia, Japan and India, with production, revenue, consumption, import and export in these regions, from 2012 to 2016, and forecast to 2022.

This report focuses on top manufacturers in global market, with production, price, revenue and market share for each manufacturer, covering

Fender Musical Instruments
Gibson Brands
Kawai Musical Instruments
Roland
Steinway & Sons
Yamaha
Shure
Harman International
Audio-Technica
F. Martin & Company
D'Addario
QRS Music Technology
Sennheiser Electronic

On the basis of product, this report displays the production, revenue, price, market share and growth rate of each type, primarily split into

Music Synthesizers
DJ Gear
Studio Headphones
Digital Keyboards
Other

By Application, the market can be split into

Professional
Amateur

By Regions, this report covers (we can add the regions/countries as you want)

North America
China
Europe
Southeast Asia
Japan
India

If you have any special requirements, please let us know and we will offer you the report as you want.

Request Sample Report @ https://www.wiseguyreports.com/sample-request/1223153-global-music-production-equipment-market-professional-survey-report-2017

Table of Contents                      

Global Music Production Equipment Market Professional Survey Report 2017 
1 Industry Overview of Music Production Equipment 
1.1 Definition and Specifications of Music Production Equipment 
1.1.1 Definition of Music Production Equipment 
1.1.2 Specifications of Music Production Equipment 
1.2 Classification of Music Production Equipment 
1.2.1 Music Synthesizers 
1.2.2 DJ Gear 
1.2.3 Studio Headphones 
1.2.4 Digital Keyboards 
1.2.5 Other 
1.3 Applications of Music Production Equipment 
1.3.1 Professional 
1.3.2 Amateur 
1.3.3 Application 3 
1.4 Market Segment by Regions 
1.4.1 North America 
1.4.2 China 
1.4.3 Europe 
1.4.4 Southeast Asia 
1.4.5 Japan 
1.4.6 India

2 Manufacturing Cost Structure Analysis of Music Production Equipment 
2.1 Raw Material and Suppliers 
2.2 Manufacturing Cost Structure Analysis of Music Production Equipment 
2.3 Manufacturing Process Analysis of Music Production Equipment 
2.4 Industry Chain Structure of Music Production Equipment

3 Technical Data and Manufacturing Plants Analysis of Music Production Equipment 
3.1 Capacity and Commercial Production Date of Global Music Production Equipment Major Manufacturers in 2016 
3.2 Manufacturing Plants Distribution of Global Music Production Equipment Major Manufacturers in 2016 
3.3 R&D Status and Technology Source of Global Music Production Equipment Major Manufacturers in 2016 
3.4 Raw Materials Sources Analysis of Global Music Production Equipment Major Manufacturers in 2016

4 Global Music Production Equipment Overall Market Overview 
4.1 2012-2017E Overall Market Analysis 
4.2 Capacity Analysis 
4.2.1 2012-2017E Global Music Production Equipment Capacity and Growth Rate Analysis 
4.2.2 2016 Music Production Equipment Capacity Analysis (Company Segment) 
4.3 Sales Analysis 
4.3.1 2012-2017E Global Music Production Equipment Sales and Growth Rate Analysis 
4.3.2 2016 Music Production Equipment Sales Analysis (Company Segment) 
4.4 Sales Price Analysis 
4.4.1 2012-2017E Global Music Production Equipment Sales Price 
4.4.2 2016 Music Production Equipment Sales Price Analysis (Company Segment)

5 Music Production Equipment Regional Market Analysis 
5.1 North America Music Production Equipment Market Analysis 
5.1.1 North America Music Production Equipment Market Overview 
5.1.2 North America 2012-2017E Music Production Equipment Local Supply, Import, Export, Local Consumption Analysis 
5.1.3 North America 2012-2017E Music Production Equipment Sales Price Analysis 
5.1.4 North America 2016 Music Production Equipment Market Share Analysis 
5.2 China Music Production Equipment Market Analysis 
5.2.1 China Music Production Equipment Market Overview 
5.2.2 China 2012-2017E Music Production Equipment Local Supply, Import, Export, Local Consumption Analysis 
5.2.3 China 2012-2017E Music Production Equipment Sales Price Analysis 
5.2.4 China 2016 Music Production Equipment Market Share Analysis 
5.3 Europe Music Production Equipment Market Analysis 
5.3.1 Europe Music Production Equipment Market Overview 
5.3.2 Europe 2012-2017E Music Production Equipment Local Supply, Import, Export, Local Consumption Analysis 
5.3.3 Europe 2012-2017E Music Production Equipment Sales Price Analysis 
5.3.4 Europe 2016 Music Production Equipment Market Share Analysis 
5.4 Southeast Asia Music Production Equipment Market Analysis 
5.4.1 Southeast Asia Music Production Equipment Market Overview 
5.4.2 Southeast Asia 2012-2017E Music Production Equipment Local Supply, Import, Export, Local Consumption Analysis 
5.4.3 Southeast Asia 2012-2017E Music Production Equipment Sales Price Analysis 
5.4.4 Southeast Asia 2016 Music Production Equipment Market Share Analysis 
5.5 Japan Music Production Equipment Market Analysis 
5.5.1 Japan Music Production Equipment Market Overview 
5.5.2 Japan 2012-2017E Music Production Equipment Local Supply, Import, Export, Local Consumption Analysis 
5.5.3 Japan 2012-2017E Music Production Equipment Sales Price Analysis 
5.5.4 Japan 2016 Music Production Equipment Market Share Analysis 
5.6 India Music Production Equipment Market Analysis 
5.6.1 India Music Production Equipment Market Overview 
5.6.2 India 2012-2017E Music Production Equipment Local Supply, Import, Export, Local Consumption Analysis
5.6.3 India 2012-2017E Music Production Equipment Sales Price Analysis 
5.6.4 India 2016 Music Production Equipment Market Share Analysis

6 Global 2012-2017E Music Production Equipment Segment Market Analysis (by Type) 
6.1 Global 2012-2017E Music Production Equipment Sales by Type 
6.2 Different Types of Music Production Equipment Product Interview Price Analysis 
6.3 Different Types of Music Production Equipment Product Driving Factors Analysis 
6.3.1 Music Synthesizers of Music Production Equipment Growth Driving Factor Analysis 
6.3.2 DJ Gear of Music Production Equipment Growth Driving Factor Analysis 
6.3.3 Studio Headphones of Music Production Equipment Growth Driving Factor Analysis 
6.3.4 Digital Keyboards of Music Production Equipment Growth Driving Factor Analysis 
6.3.5 Other of Music Production Equipment Growth Driving Factor Analysis

7 Global 2012-2017E Music Production Equipment Segment Market Analysis (by Application) 
7.1 Global 2012-2017E Music Production Equipment Consumption by Application 
7.2 Different Application of Music Production Equipment Product Interview Price Analysis 
7.3 Different Application of Music Production Equipment Product Driving Factors Analysis 
7.3.1 Professional of Music Production Equipment Growth Driving Factor Analysis 
7.3.2 Amateur of Music Production Equipment Growth Driving Factor Analysis 

Continuous…

Buy this Report @ https://www.wiseguyreports.com/checkout?currency=one_user-USD&report_id=1223153

Norah Trent
WiseGuy Research Consultants Pvt. Ltd.
+1 646 845 9349 / +44 208 133 9349
email us here


Source: EIN Presswire

Bob Dylan shares center stage with many fine art luminaries in Woodshed Art Auctions' Sept. 20th online-only art auction

Giclee print signed and numbered by Bob Dylan, titled Train Tracks ($5,312).

Giclee print signed and numbered by Bob Dylan, titled Cityscape ($3,750).

Tempera and gouache attributed to Edvard Munch, titled Study, The Sick Child ($40,000).

Gouache on paper attributed to Marc Chagall, titled Lovers ($40,000).

Oil on tempera attributed to Gustav Klimt, titled Girl Standing ($40,000).

It’s not often Bob Dylan shares center stage with anyone, certainly not 19th and early 20th century painters, but that’s exactly what happened September 20th.

The Bob Dylan print sale was a success, with all lots selling amid brisk bidding.”

— Bruce Wood

FRANKLIN, MASS., UNITED STATES, October 11, 2017 /EINPresswire.com/ — FRANKLIN, Mass. – It’s not often Bob Dylan shares center stage with anyone – certainly not 19th and early 20th century painters – but that’s exactly what happened on September 20th when a collection of 25 limited edition giclee prints signed and numbered by the singer-songwriter came up for bid alongside such fine art luminaries as Edvard Munch, Marc Chagall and Gustav Klimt.

It was a two-session online-only auction, conducted by Woodshed Art Auctions, based in Franklin. Session 1 featured the 25 signed Dylan prints, which all carried estimates of $2,000-$3,000 and ended up selling for prices ranging from $5,312 (for Train Tracks) to a pair of giclees titled Cassandra ($1,250 and $1,062). The runner-up lot was titled Cityscape; it fetched $3,750.

Session 2, held later that day, was one of Woodsheds Art Auctions’ popular Prestige Signature Collection sales, which feature artworks (most of them attributions) by many of the most famous names in fine art, but at attractive price points. The top three lots – by Edvard Munch (1863-1944), Marc Chagall (1887-1985) and Gustav Klimt (1862-1918) – topped out at $40,000 each.

“The Bob Dylan print sale was a success, with all lots selling amid brisk bidding,” said Bruce Wood, the owner of Woodshed Art Auctions. “The Prestige Signature Collection was unusually slow, with only about 20 percent of lots selling. However, several of the prime lots did receive strong bidding. I think the Dylan sale got so much attention, people weren’t aware of Session 2.”

The Dylan prints – all from his Drawn Blank Series of artworks based on drawings done between 1989 and 1992 – certainly did enjoy pre-sale buzz. The circa 2013 prints came from the heirs of a private estate in London, England and all were nicely framed in silver-finish wooden molding, with deep mats and glass glazing. And they were quite large (42 inches by 32 ¾ inches, framed).

The unframed tempera and gouache on medium weight bond paper attributed to Edvard Munch (painter of The Scream, one of the most instantly recognizable images in all of fine art) was titled Study, The Sick Child. It depicted Johanne Sophie Munch, the artist’s older sister. The subject was repeated in a number of paintings, etchings, lithos and drawings done from 1885 to 1926.

The gouache on paper attributed to Marc Chagall was titled, simply, Lovers. It was signed lower right and had a collector’s stamp verso. It is similar in style to his work titled The Betrothed and the Eiffel Tower. Lovers were a common theme for Chagall. Very often the lovers appear to be floating in time and space along with other people, instruments, plants and animals around them.

The oil on tempera painting attributed to Gustav Klimt, titled Girl Standing, was likely a study of a 1912 portrait Klimt did of Mada Primavesi, now housed in the Metropolitan Museum of Art in New York City. Klimt reportedly created several studies of Ms. Primavesi, varying the elements in each. The study came with a certificate from the van Hassel Galleri in Rotterdam, Holland.

Following are additional highlights from the auction. All prices quoted here include the buyer’s premium, 20 percent for live bidders, 25 percent for online bidders. The Dylan prints grossed $48,175. Session 2 grossed $366,750. Internet bidding was facilitated by Invaluable.com.

It’s a tribute to the star power of this auction that a name like Vincent Van Gogh (1853-1926) couldn’t even crack the top three, especially considering there were several works by the Dutch master on view (all signed attributions). They included a tempera and oil painting titled Peasants Working ($38,750); a gouache with pencil and watercolor painting titled Landscape with Houses ($28,750); and a lithographer’s crayon on textured paper titled The Wounded Veteran ($9,062).

The oil and tempera Still Life Study attributed to Claude Monet (1840-1926), executed circa 1867 and signed by the French painter, sold for $37,500 and bears the faint impression of the stamp of Collection Foret in Nice, France. Also, an oil and tempera on canvas attributed to Paul Gauguin (1848-1903), titled Tahitian Woman, signed, with a verso stamp of Theodore Duret, hit $35,000.

Still Life with Fruit and Tea Cup, a tempera on paper work attributed to Pierre-Auguste Renoir (1841-1919), topped out at $27,500. The painting was accompanied by a certificate from the Art Collectors Group in Luxemburg. Also, Female Nude, a watercolor and pencil drawing attributed to Auguste Rodin (1840-1917), similar to other studies by the artist, signed, gaveled for $17,500.

A mixed media on paper attributed to Willem de Kooning (1904-1997), titled Woman, possibly a preliminary study for de Kooning’s Woman I, one in a series of artworks portraying abstracted nude women, breezed to $16,250. It came with a certificate of authenticity from the Bonnier Art Services in Toulouse, France. Woman I is on display at the Metropolitan Museum of Art (N.Y.).

A watercolor, chalk and charcoal on bond paper attributed to Edgar Degas (1834-1917), titled Dancer and signed by the artist, with the verso bearing the partial impression of a collector’s (or gallery) stamp, realized $15,000 One other work topped $10,000: it was James Abbott McNeill Whistler’s (1834-1903) oil on canvas portrait of a woman, untitled and an attribution ($10,625).

Woodshed Art Auctions is a family-owned art gallery specializing in oil painting restoration and live and online art auctions, celebrating its 50th anniversary. The firm is always accepting quality artworks for future auctions. To inquire about consigning a single piece or an entire collection, you may call Bruce Wood at 508-533-6277; or, e-mail him at bruce@woodshedartauctions.com.

For more information about Woodshed Art Auctions and the firm’s calendar of upcoming auctions, please visit www.woodshedartauctions.com.

# # # #

Bruce Wood
Woodshed Art Auctions
(508) 533-6277
email us here


Source: EIN Presswire

CASILDA SE POSICIONA EN EL NUMERO 39 DE LA LISTA OFICIAL DEL POP LATIN CHART DE BILLBOARD CON SU SINGLE “TRA”

LA CANTANTE ESPANOLA LOGRA EL SUENO DE TODO ARTISTA CON TAN SOLO 17 ANOS

LOS ANGELES, CALIFORNIA, USA, October 10, 2017 /EINPresswire.com/ — Con tan solo 17 anos de edad, esta bella cantante y compositora espanola ha logrado el sueno de todo artista, posicionarse en la casilla # 39 del Pop Latin Chart de Billboard, por encima de artistas de la talla de Calvin Harris, Pharrell Williams o Wisin, con el single de su cancion “Tra”. Casilda se convierte con esto en una de las cantantes mas jovenes en conseguirlo.

Casilda entro con paso firme en la industria de la musica despues de su exitoso debut como cantante con su primer sencillo titulado “Can´t Start Thinking About You” en duo con el cantante Calum. Con solo 14 anos logro ubicarse en el top 43 del chart nacional de Espana, donde reside actualmente. En su busqueda por expandirse firmo un contrato de management con las reconocidas empresas americanas Emax y True Makers y es asi como ha comenzado a trabajar en el competitivo mundo de Estados Unidos. Casilda fue una de las artistas escogidas para presentarse en el evento mas importante de apertura de la semana de Billboard 2017, el kick off oficial de Latin Billboard, donde la prensa quedo sorprendida de su voz y carisma a tan corta edad. Su juventud y elegancia la hacen sobresalir de lo visto hasta ahora en las mujeres cantantes de reggaeton.

“Tra” fue grabado en la ciudad de Los Angeles con el reconocido productor musical Luigie Gonzalez, de True Makers Music Group, quien ha trabajado con grandes estrellas como Juan Gabriel, Eiza Gonzalez, Janet Jackson, Ricky Martin, y Cyndi Lauper entre otros. Luigie “Lugo” Gonzalez tambien formo parte de la composicion de este tema junto a Casilda y Alih Jay de Pena. El video del single fue producido por el director espanol Sergio Vizuete, ganador de un Emmy, un video que cuenta ya con mas de 190 mil reproducciones.

En la industria ya se esta catalogando a la cantante como LA GRAN CASILDA.

Pueden disfrutar del video clip "TRA" en el siguiente link https://www.youtube.com/watch?v=oYGiopdg5sM

Para estar al corriente de los futuros logros de Casilda, siguela en Instagram @casildasantamaria

Silvia Garcia
SGG Public Relations
email us here
4242394995


Source: EIN Presswire

Indie Award Winner Eddy Mann Announces the Release of the ‘Storm in a Teacup’ Official Lyric Video

Indie singer-songwriter Eddy Mann releases the “Storm in a Teacup” official lyric video as the sixth in a series of lyric videos from “The Consequence” album.

It's love that withstands the storm, that heals, that overcomes.”

— Eddy Mann

PHILADELPHIA, PA, USA, October 10, 2017 /EINPresswire.com/ — Indie award winner Eddy Mann has released the “Storm in a Teacup” official lyric video from “The Consequence” album released in November of 2016. This is the sixth in a series of lyric videos from the album. The song follows the success of singles “The Consequence,” "All I Need Is You" and “She's Me.”

"We've all seen and or heard the couple that seems to have forgotten why they're a couple. When their love for each other has been overshadowed by the little unimportant things in life. We're all guilty at one point or another of taking our gifts and blessings for granted," explained Eddy. "It's love that withstands the storm, that heals, that overcomes."

“Storm in a Teacup” is currently streaming on YouTube. All of Eddy’s albums, videos, and tour dates are available at eddymann.com.

Eddy, who was just recently nominated for two 2017 Josie Music Awards, has been championing a vision of love for some time now. He’s been successful in crossing over singer-songwriter, folk-rock, americana and country Indie charts. “The Consequence” is his tenth album release and has garnered some very positive reviews in the Indie community.

The Hope Love Joy Peace Tour Dates –
November 18, 2017 – Christmas With A Twist, Wilkes-Barre, PA
November 25, 2017 – HeBrews Cafe, Wilmington, DE
December 02, 2017 – Souled Out Coffeehouse, Philadelphia, PA
December 09, 2017 – Solid Rock Cafe, Chalfont, PA
December 16, 2017 – Transformation Church, Mays Landing, NJ

Edward Lewis
One:27 Artisans
2679685483
email us here


Source: EIN Presswire

Global DJ Equipment Market 2017 Trends, Research, Analysis & Review Forecast 2022

Wiseguyreports.Com Adds “DJ Equipment Market: Demand, Growth, Opportunities and Analysis of Top Key Player Forecast To 2022” To Its Research Database

PUNE, INDIA, October 10, 2017 /EINPresswire.com/ — Global DJ Equipment Industry

Latest Report on DJ Equipment Market Global Analysis & 2022 Forecast Research Study

This report studies the DJ Equipment market status and outlook of global and major regions, from angles of players, regions, product types and end industries; this report analyzes the top players in global and major regions, and splits the DJ Equipment market by product type and applications/end industries.

The global DJ Equipment market is valued at 383.78 million USD in 2016 and is expected to reach 575.81 million USD by the end of 2022, growing at a CAGR of 7.00% between 2016 and 2022.

The Asia-Pacific will occupy for more market share in following years, especially in China, also fast growing India and Southeast Asia regions.

North America, especially The United States, will still play an important role which cannot be ignored. Any changes from United States might affect the development trend of DJ Equipment.

Europe also play important roles in global market, with market size of 125.81 million USD in 2016 and will be 182.85 million USD in 2022, with a CAGR of 6.43% between 2016 and 2022..

The major players in global DJ Equipment market include 
Pioneer 
Numark 
Roland 
Behringer 
DJ Tech 
Hercules 
Stanton 
Korg 
Denon 
Reloop 
Gemini 
Akai

Try Sample Report @ https://www.wiseguyreports.com/sample-request/2355677-global-dj-equipment-market-research-report-2017

Geographically, this report is segmented into several key Regions, with Sales, Sales, revenue, Market Share (%) and Growth Rate (%) of DJ Equipment in these regions, from 2012 to 2022 (forecast), covering 
North America 
Europe 
Asia-Pacific 
Latin America 
Middle East and Africa

On the basis of product, the DJ Equipment market is primarily split into 
DJ Turntable & CDJs 
DJ Mixer 
DJ Controller 
Others

On the basis on the end users/applications, this report covers 
Professional Performance 
Individual Amateurs 
Individual Amateurs

Some points from table of content:

1 DJ Equipment Market Overview 1 
    1.1 DJ Equipment Product Overview 1 
    1.2 DJ Equipment Segment by Types (Product Category) 2 
      1.2.1 Global DJ Equipment Sales and Growth (%) Comparison by Types (2012-2022) 2 
      1.2.2 Global DJ Equipment Sales Market Share (%) by Types in 2016 2 
      1.2.3 DJ Turntable & CDJs 3 
      1.2.4 DJ Mixer 5 
      1.2.5 DJ Controller 7 
      1.2.6 Others 8 
    1.3 Global DJ Equipment Segment by Applications 9 
    1.4 Global DJ Equipment Market by Regions (2012-2022) 10 
      1.4.1 Global DJ Equipment Market Size and Growth (%) Comparison by Regions (2012-2022) 10 
      1.4.2 North America DJ Equipment Status and Prospect (2012-2022) 11 
      1.4.3 Asia-Pacific DJ Equipment Status and Prospect (2012-2022) 11 
      1.4.4 Europe DJ Equipment Status and Prospect (2012-2022) 12 
      1.4.5 Latin America DJ Equipment Status and Prospect (2012-2022) 13 
      1.4.6 Middle East and Africa DJ Equipment Status and Prospect (2012-2022) 14 
    1.5 Global DJ Equipment Market Size (2012-2022) 15 
      1.5.1 Global DJ Equipment Revenue (Million USD) Status and Outlook (2012-2022) 15 
      1.5.2 Global DJ Equipment Sales (K Units) Status and Outlook (2012-2022) 16 

For Detailed Reading Please visit WiseGuy Reports @     https://www.wiseguyreports.com/reports/2355677-global-dj-equipment-market-research-report-2017

2 Global DJ Equipment Market Competition by Brands 18 
    2.1 Global DJ Equipment Sales (K Units) and Share by Brands (2012-2017) 18 
    2.2 Global DJ Equipment Revenue (Million USD) and Share by Brands (2012-2017) 19 
    2.3 Global DJ Equipment Average Price (USD/Unit) by Brands (2012-2017) 21 
    2.4 Brands DJ Equipment Headquarters Distribution, Sales Area, Product Types 22 
    2.5 DJ Equipment Market Competitive Situation and Trends 24 
      2.5.1 DJ Equipment Market Share (%) of Top 3 and Top 5 Brands 24 
      2.5.2 Mergers & Acquisitions, Expansion 25 
          2.5.2.1 Pioneer to spin off DJ audio unit to KKR in $550 million deal 25 
          2.5.2.2 Roland acquires a 70-percent stake in headphone maker V-Moda 26 
          2.5.2.3 The Ultimate DJ Store—The DJ Hookup Acquires Pro DJ Sound 27 
          2.5.2.4 INMUSIC SET TO ACQUIRE RENOWNED AUDIO MANUFACTURER RANE CORPORATION 27 
3 Global DJ Equipment Sales (K Units), Revenue (Million USD) by Regions (2012-2017) 29 
    3.1 Global DJ Equipment Sales (K Units) and Market Share (%) by Regions (2012-2017) 29 
    3.2 Global DJ Equipment Revenue (Million USD) and Market Share (%) by Regions (2012-2017) 30 
    3.3 Global DJ Equipment Sales (K Units), Revenue (Million USD), Price (USD/Unit) and Gross Margin (%) (2012-2017) 31 
    3.4 North America DJ Equipment Sales (K Units), Revenue (Million USD), Price (USD/Unit) and Gross Margin (%) (2012-2017) 32 
    3.5 Europe DJ Equipment Sales (K Units), Revenue (Million USD), Price (USD/Unit) and Gross Margin (%) (2012-2017) 32 
    3.6 Asia-Pacific DJ Equipment Sales (K Units), Revenue (Million USD), Price (USD/Unit) and Gross Margin (%) (2012-2017) 33 
    3.7 Latin America DJ Equipment Sales (K Units), Revenue (Million USD), Price (USD/Unit) and Gross Margin (2012-2017) 33 
    3.8 Middle East and Africa DJ Equipment Sales (K Units), Revenue (Million USD), Price (USD/Unit) and Gross Margin (%) (2012-2017) 34 
4 Global DJ Equipment Sales, Revenue, Price Trend by Types 35 
    4.1 Global DJ Equipment Sales (K Units) and Market Share (%) by Types (2012-2017) 35 
    4.2 Global DJ Equipment Revenue and Market Share (%) by Types (2012-2017) 36 
    4.3 Global DJ Equipment Price (USD/Unit) by Type (2012-2017) 37 
    4.4 Global DJ Equipment Sales Growth by Type (2012-2017) 38 
5 Global DJ Equipment Market Analysis by Applications 39 
    5.1 Global DJ Equipment Sales (K Units) and Market Share (%) by Applications (2012-2017) 39 
    5.2 Global DJ Equipment Sales Growth Rate (%) by Applications (2012-2017) 40 
6 Global DJ Equipment Brands Profiles/Analysis 41 
    6.1 Pioneer 41 
      6.1.1 Company Basic Information 41 
      6.1.2 DJ Equipment Products of Pioneer 42 
      6.1.3 Pioneer DJ Equipment Sales (K Units), Revenue (Million USD), Price (USD/Unit), Gross Margin (%) and Market Share (%) (2012-2017) 46 
      6.1.4 Main Business/Business Overview 47 
    6.2 Numark 48 
      6.2.1 Company Basic Information 48 
      6.2.2 DJ Equipment Products of Numark 49 
      6.2.3 Numark DJ Equipment Sales (K Units), Revenue (Million USD), Price (USD/Unit), Gross Margin (%) and Market Share (%) (2012-2017) 51 
      6.2.4 Main Business/Business Overview 52 

Norah Trent
wiseguyreports
+1 646 845 9349 / +44 208 133 9349
email us here


Source: EIN Presswire