Gold Medal Star Blockchain to use Singular DTV Blockchain Technology Cryptocurrency For Rewards Program

Gold Medal Star Blockchain Free Tokens

Gold Medal Star Blockchain Free Tokens

Gold Medal Star Blockchain Token

Gold Medal Star Blockchain Token

Gold Medal Star Blockchain

Gold Medal Star Blockchain

World’s 1st Fitness Token Blockchain Rollup offers Free Tokens

To get the five (5) Free tokens offered, visit and
subscribe now at”

— Reynolds, said.

COLUMBUS, OHIO, UNITED STATES, January 31, 2018 / — A KickIn Crowd, LLC (AKC), formerly a crowdfunding company and holding company, announced plans to unveil it’s new cryptocurrency, Gold Medal Star Token (GOLDMS), a Wellness, Health and Fitness consumer driven rewards program, using the SingularDTV Blockchain platform by giving away five (5) free tokens to all new Gold Medal Star subscribers.

“We’ve created a rollup combination of companies that really encourages fitness through a consumer driven rewards platform that utilizes the same infrastructure and principles of Bitcoin, Litecoin or Ripple,” Tony Reynolds, founder of AKC said. “The tokens are utility tokens, which will be used in a consumer created groups that allocate rewards based on their preferences,” Reynolds said.

“Our tokens are used like the ones at similar to those at Chuck E. Cheese,” Reynolds said. “Our systems allows consumers to create rewards,which can be redeemed by leveraging the decentralized Blockchain-based cryptocurrency.”

The GOLDMS token, created with the Blockchain entertainment studio, SingularDTV’s, platform, can be purchased using Ethereum (ETH) or SNGLS, which showcases the dynamic power of the Ethereum network.

Singular-DTV is a Centrally Organized Distributed Entity (CODE). CODE is a new form of organizational structure developed in partnership with MME, the same legal firm behind the formation of the Ethereum foundation.

We have created a groundbreaking and massive cryptocurrency consumer driven fitness rewards program. The tokens that can be utilized on our own Fulfillment by Amazon (FBA) companies, and in association with our licensing deal with Seen on Screen, TV, Inc (OTC PINK: SONT). or exchanged for our products.

"To get the five (5) Free tokens offered, visit and subscribe now at," Reynolds said.


Tony Gold
Gold Medal Star Blockchain
email us here

Source: EIN Presswire

Karaoke Player Market 2018 Size, Share, Development Status, Type and Application, Segmentation, Forecast by 2025

This report covers market characteristics, size and growth, segmentation, regional breakdowns, competitive landscape, market shares, trends and strategies

PUNE, INDIA, January 31, 2018 / — In this report, the global Karaoke Player market is valued at USD XX million in 2017 and is expected to reach USD XX million by the end of 2025, growing at a CAGR of XX% between 2017 and 2025.

Geographically, this report is segmented into several key Regions, with production, consumption, revenue (million USD), market share and growth rate of Karaoke Player in these regions, from 2013 to 2025 (forecast), covering
United States
South Korea

Request a Sample Report @

Global Karaoke Player market competition by top manufacturers, with production, price, revenue (value) and market share for each manufacturer; the top players including

On the basis of product, this report displays the production, revenue, price, market share and growth rate of each type, primarily split into
All-In-One System
TV Monitor System
Built-In Microphone
MP3 System

On the basis of the end users/applications, this report focuses on the status and outlook for major applications/end users, consumption (sales), market share and growth rate for each application, including

If you have any special requirements, please let us know and we will offer you the report as you want.

Table of Contents

Global Karaoke Player Market Research Report 2018
1 Karaoke Player Market Overview
1.1 Product Overview and Scope of Karaoke Player
1.2 Karaoke Player Segment by Type (Product Category)
1.2.1 Global Karaoke Player Production and CAGR (%) Comparison by Type (Product Category)(2013-2025)
1.2.2 Global Karaoke Player Production Market Share by Type (Product Category) in 2017
1.2.3 All-In-One System
1.2.4 TV Monitor System
1.2.5 Built-In Microphone
1.2.6 MP3 System
1.3 Global Karaoke Player Segment by Application
1.3.1 Karaoke Player Consumption (Sales) Comparison by Application (2013-2025)
1.3.2 Household
1.3.3 Commercial
1.4 Global Karaoke Player Market by Region (2013-2025)
1.4.1 Global Karaoke Player Market Size (Value) and CAGR (%) Comparison by Region (2013-2025)
1.4.2 United States Status and Prospect (2013-2025)
1.4.3 EU Status and Prospect (2013-2025)
1.4.4 China Status and Prospect (2013-2025)
1.4.5 Japan Status and Prospect (2013-2025)
1.4.6 South Korea Status and Prospect (2013-2025)
1.4.7 Taiwan Status and Prospect (2013-2025)
1.5 Global Market Size (Value) of Karaoke Player (2013-2025)
1.5.1 Global Karaoke Player Revenue Status and Outlook (2013-2025)
1.5.2 Global Karaoke Player Capacity, Production Status and Outlook (2013-2025)

2 Global Karaoke Player Market Competition by Manufacturers
2.1 Global Karaoke Player Capacity, Production and Share by Manufacturers (2013-2018)
2.1.1 Global Karaoke Player Capacity and Share by Manufacturers (2013-2018)
2.1.2 Global Karaoke Player Production and Share by Manufacturers (2013-2018)
2.2 Global Karaoke Player Revenue and Share by Manufacturers (2013-2018)
2.3 Global Karaoke Player Average Price by Manufacturers (2013-2018)
2.4 Manufacturers Karaoke Player Manufacturing Base Distribution, Sales Area and Product Type
2.5 Karaoke Player Market Competitive Situation and Trends
2.5.1 Karaoke Player Market Concentration Rate
2.5.2 Karaoke Player Market Share of Top 3 and Top 5 Manufacturers
2.5.3 Mergers & Acquisitions, Expansion

3 Global Karaoke Player Capacity, Production, Revenue (Value) by Region (2013-2018)
3.1 Global Karaoke Player Capacity and Market Share by Region (2013-2018)
3.2 Global Karaoke Player Production and Market Share by Region (2013-2018)
3.3 Global Karaoke Player Revenue (Value) and Market Share by Region (2013-2018)
3.4 Global Karaoke Player Capacity, Production, Revenue, Price and Gross Margin (2013-2018)
3.5 United States Karaoke Player Capacity, Production, Revenue, Price and Gross Margin (2013-2018)
3.6 EU Karaoke Player Capacity, Production, Revenue, Price and Gross Margin (2013-2018)
3.7 China Karaoke Player Capacity, Production, Revenue, Price and Gross Margin (2013-2018)
3.8 Japan Karaoke Player Capacity, Production, Revenue, Price and Gross Margin (2013-2018)
3.9 South Korea Karaoke Player Capacity, Production, Revenue, Price and Gross Margin (2013-2018)
3.10 Taiwan Karaoke Player Capacity, Production, Revenue, Price and Gross Margin (2013-2018)

4 Global Karaoke Player Supply (Production), Consumption, Export, Import by Region (2013-2018)
4.1 Global Karaoke Player Consumption by Region (2013-2018)
4.2 United States Karaoke Player Production, Consumption, Export, Import (2013-2018)
4.3 EU Karaoke Player Production, Consumption, Export, Import (2013-2018)
4.4 China Karaoke Player Production, Consumption, Export, Import (2013-2018)
4.5 Japan Karaoke Player Production, Consumption, Export, Import (2013-2018)
4.6 South Korea Karaoke Player Production, Consumption, Export, Import (2013-2018)
4.7 Taiwan Karaoke Player Production, Consumption, Export, Import (2013-2018)

5 Global Karaoke Player Production, Revenue (Value), Price Trend by Type
5.1 Global Karaoke Player Production and Market Share by Type (2013-2018)
5.2 Global Karaoke Player Revenue and Market Share by Type (2013-2018)
5.3 Global Karaoke Player Price by Type (2013-2018)
5.4 Global Karaoke Player Production Growth by Type (2013-2018)

6 Global Karaoke Player Market Analysis by Application
6.1 Global Karaoke Player Consumption and Market Share by Application (2013-2018)
6.2 Global Karaoke Player Consumption Growth Rate by Application (2013-2018)
6.3 Market Drivers and Opportunities
6.3.1 Potential Applications
6.3.2 Emerging Markets/Countries


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Norah Trent
+1 646 845 9349 / +44 208 133 9349
email us here

Source: EIN Presswire

KAJ Brothers Release Nothing but Air – the Third Video from the Chivalry EP

The KAJ Brothers: (L to R) Johnny Atys, Kyle Craichy, Austin Craichy

The pop/ballad from the boy band sensation melodically tells a moving story of lost love

It’s hard to face it anytime things don’t work out as planned or when someone you love walks away.”

— Austin Craichy

ORLANDO, FL, UNITED STATES, January 30, 2018 / — The multi-talented KAJ Brothers have released the third video from their Chivalry EP with today’s debut of Nothing but Air on YouTube. The ballad tells the tale of lost love and features the signature harmonies of Kyle Craichy, Austin Craichy and Johnny Atys that have made the band a favorite among those who value strong vocal abilities.

Austin wrote the lyrics that tell the deeply emotional journey of experiencing a breakup. “It’s hard to face it anytime things don’t work out as planned or when someone you love walks away,” he says. “But that’s not the end of the story because better days are ahead and things will work out if we keep moving forward.”

The video can be seen here:

The KAJ Brothers have a growing following as a result of previous video releases from Chivalry. The first two songs, She Wants to Dance and Love on the Dance Floor, have a combined 400,000 views on YouTube. The video was shot at various locations in Orlando by Kyle Saylors and Saylor Brothers Productions, the team that produced the first two videos.

The KAJ Brothers are a unique trio of pop, rock and R&B performers known for soaring vocals, masterful harmonies and exciting musicality. While best known for a pop/funk sound from their recently released Chivalry album, the popular boy band has the talent to perform a variety of musical styles.

The Chivalry EP and the singles are available on iTunes, Google Play, Amazon, Spotify, Apple Music and anywhere else music is sold. They are also available on the KAJ Brothers website at

More about the KAJ Brothers:
The multi-talented, Orlando-based KAJ Brothers consists of Kyle Craichy on vocals, dance, piano and guitar; sibling Austin Craichy on vocals, dance, piano, guitar and drums; and vocalist and dance champion Johnny Atys, from Paris, France. Kyle and Austin were born in Tampa and learned to sing and play the piano from their mother, Monica, who was crowned Miss Florida in 1985 and won the talent award for her classical piano performance of Rachmaninoff at the Miss America Pageant. Kyle is also the best-selling author or Face It: Winning the War on Acne and the founder and CEO of AcneLXR. The KAJ Brothers regularly work with Orlando's renowned producer/vocal coach Gerry Williams who helped craft the boy band sound for N'Sync and The Backstreet Boys. They have also worked with Jeff Villanueva, whose client list reads like a Who’s Who of top pop artists, including Usher, Justin Timberlake, Mariah Carey and Beyonce. More information can be found at:;

John Marini
KAJ Brothers
email us here

Source: EIN Presswire

Korean Musical Genius, TeRra Han 2nd Carnegie Hall Kayageum Recital Jan. 30th

TeRra Han, Korean kayageum virtuoso

TeRra Han, 2nd Carnegie Hall Recital

TeRra Han, well known for a prodigy and musical genius of South Korea will have a her 2nd Carnegie Hall recital January 30th 8pm.

NEW YORK, NEW YORK, UNITED STATES, January 29, 2018 / — TeRra Han, well known for a prodigy and musical genius of South Korea will have a Carnegie Hall recital January 30th 8pm. This is 2nd Carnegie Hall recital of hers, she had a debut recital in the Weill Recital Hall, Carnegie Hall 2015 as the youngest Korean traditional musician who ever had a recital at the Carnegie Hall, it was one of the celebrating anniversary concert of 125 years of Carnegie Hall. Many of Asian instrumentalists will perform as special guests such as wind instrumentalist Gamin, Konghou player Lucina, Japanese Kugo player Suwagara Tomoko, shamisen player Sumie Kaneko and also vocalist Thomas Buckner, guitarist Nemo will join.

TeRra Han started her training at the age of 4 in Western classical music and Asian traditional performing arts including singing and dancing in Korea, Japan and China. She began studying Korean traditional music at the age of 6 and already mastered all gayageum-accompanied solo pieces in her teens. She was the first gayageum player to be named as the recipient of the Asian Cultural Council’s Blanchette Rockefeller Fund.

It’s already been 30 years since TeRra Han started studying the gayageum and Korean traditional music. She has been collaborating with foreign musicians and playing American pop songs or European classics with the gayageum to publicize this wonderful string instrument of Korea.
On the other hands After having survived the emotionally tumultuous years in her teens and 20s, she finally found the essence of classical gayageum music in her 30s and is trying to develop a way to make the best gayageum sound. Determined to show the fundamental beauty of the gayageum, TeRra Han chose Korean ancient court music solo pieces of all repertoire for her gayageum solo albums released in 2015 and nobody have done recording the master pieces which she had ever challenged.

For over the 30 years, TeRra Han has also explored musical world and led Asian young artists on a path to self-discovery and helped them to imagine the possibilities. Beyond the time and space borders inspirational careers, TeRra Han continues to inspire and encourage the next generation of musicians & artists that they can do anything with their music.

She released more than 10 solo albums and has been performing all over the countries such as South Korea, Japan, China, the United States and France. In 2016, she was admitted voting member as few Asian musicians of the Grammy Awards of The Recording Academy in United States. She has moved to New York City 2017 and launched world premiere Asian arts magazine, TeRra™ Magazine.

HBS Creatives
email us here

Source: EIN Presswire

Dana Al Fardan: Exporting Qatar’s Culture Across Continents & Optimism for 2018

Dana Al Fardan, Credit Sara Lincoln Photography

Qatar's only female composer looks ahead to a year of optimism and international plans for her music.

At times like these, the cultivation of our nation’s culture and cultural initiatives becomes even more important than ever. The future looks bright.”

— Dana Al Fardan

LONDON, UNITED KINGDOM, January 29, 2018 / — Board any Qatar Airways flight and you will experience the music of Qatari composer, Dana Al Fardan. Being appointed the airline’s Official Composer was just one of the highlights of 2017 for Dana, not just at home in Doha, but internationally. Another was writing a track for Syrian superstar, Assala Nasri’s latest album. The song, Sandoo’ Segheer, has enjoyed huge global success with over 4 million plays across Spotify and YouTube. Other landmark moments included seeing a full programme of her music performed in London for the first time, at the Theatre Royal Haymarket, featuring the London Metropolitan Orchestra playing alongside musicians from the Qatar Philharmonic, and a special appearance by Assala Nasri. 2017 ended on a high note with Dana being named Woman of The Year by Grazia Magazine.

In 2017 Dana visited Moscow, where her music was chosen to be performed by visiting members of the Qatar Philharmonic, playing alongside Russian musicians, to mark the launch of the Qatar Russia Year of Culture 2018, so she is now reflecting on a productive and exciting year. As she said in her opening speech to an audience of invited dignitaries and diplomats in Moscow, 2017 saw Dana’s material performed in the true spirit of the unique ability music has to unify nations by transcending all cultural divides.

Following the success and hugely positive response to her debut London concert in the autumn, Dana has since been working on three film scores, for established British movie producers. She sees this collaboration as a reflection of the strength of the longstanding commercial and cultural relationship between Qatar and the UK. A medley of two scores was premiered during the Qatar British Festival, including a performance at the British Embassy.

After what was a challenging year for her nation, Dana is very much looking forward to 2018 with an optimistic outlook, not just for her music, but for Qatar itself. She says, “Last year proved how able we are in Qatar to come together in solidarity in difficult times. With tenacity and national resourcefulness, we have not only survived the last six months, but have felt a sense of revitalised strength in our people’s ability to look ahead in partnership with the international community both inside and outside of the country. I felt that strongly when my song, One Nation, was released last year. That was my opportunity to pay tribute to my beloved country and leverage the support of my fellow musicians. At times like these, the cultivation of our nation’s culture and cultural initiatives becomes even more important than ever. I am privileged to be working with some incredibly talented musicians and arts professionals, both here in Doha and internationally, and to be an active component in building the foundations of a Qatari music industry. This industry includes the key element of creative education programmes for our next generation and the creation of original musical content within Qatar for international export. When you consider the annual value of music to our great commercial and diplomatic partners in the UK, which was around £4.4bn in 2016, it’s possible to see the potential revenue this industry can contribute to our nation with the presence of key institutions such as Katara Studios and the presence of a Philharmonic Orchestra, as well as the educational components under Qatar Foundation. These are all key to manufacturing and exporting original content. Having experienced such a warm response to my music in 2017, I look forward to more opportunities to showcase cultural preeminence internationally”.

Dana’s new year has started on a very positive footing as she looks forward to the international premiere of a musical she has co-written, based on Khalil Gibran’s 1912 poetic novel, Broken Wings. The author will be known to Western audiences for his global best-seller, The Prophet. The musical, which tells a universally accessible tragic love story, goes to workshop in January, featuring a group of West End stars, followed by an album recording mid-February. The album will be released both digitally and physically on the 10th April 2018 worldwide, marking the anniversary of Gibran's death. The Broken Wings world premiere is due to take place at the end of July 2018 in London’s West End.

A series of events in London and across the UK in partnership with the Qatar Embassy in London is also planned throughout the year. If 2017 was anything to go by, 2018 is set to be a busy one…

Emma Bartholomew
Emma Bartholomew PR
email us here

Broken Wings Musical Intro Video

Source: EIN Presswire

Lerner and Rowe Sponsor 7th Annual Jonathan's Walk4Friendship to Benefit the Friendship Circle of Arizona

Lerner & Rowe Gives Back logo

Lerner & Rowe Gives Back

The Phoenix law offices of Lerner and Rowe announce third consecutive year sponsorship of the annual Jonathan's Walk4Friendship.

The Friendship Circle of Arizona offers an amazing opportunity for teens of all abilities to interact and build friendships that they may normally have missed out on. ”

— Kevin Rowe, ESQ.

SCOTTSDALE, AZ, UNITED STATES, January 27, 2018 / — For the third consecutive year, the law offices of Lerner and Rowe are pleased to sponsor the annual Jonathan's Walk4Friendship. The 1 mile fundraiser walk takes place on Sunday, January 28th from 12:30 p.m. to 4:00 p.m. at Chaparral Park in Scottsdale, AZ. 100% of proceeds raised from walkers, individual and corporate donations, and sponsorships such as Lerner and Rowe's will be used to support the 40 supportive programs and other many other services offered by Friendship Circle of Arizona.

Friendship Circle of Arizona is a nonprofit organization that positively impacts children with special needs and their families while fostering a culture of kindness and inclusion within Arizona's teenage community.

"As a parent, I understand the value of showing our youth the importance of learning to accept others and not exclude them just because they are different," said attorney Kevin Rowe. "The Friendship Circle of Arizona offers an amazing opportunity for teens of all abilities to interact and build friendships that they may normally have missed out on. That is why it is our pleasure to once again sponsor Jonathan's Walk4Friendship that directly benefits the supportive efforts of the Friendship Circle."

For more details about the many community partners the Arizona law offices of Lerner and Rowe support in Scottsdale and surrounding cities, visit

More about Lerner and Rowe

For additional information about Lerner and Rowe’s Phoenix personal injury attorneys call (602) 977-1900. To learn more about the criminal defense and bankruptcy legal services offered by their partner law firm Lerner and Rowe Law Group, visit or call (602) 667-7777. Need help filing an application or appeal for Social Security benefits? Contact the law firms other legal partners at Social Security Disability Advocates by calling (602) 952-3200 or online at

To connect with the law firm socially, follow Lerner and Rowe on Twitter, or become a fan of their Facebook page.


Kevin Rowe, ESQ.
Lerner and Rowe, P.C.
(602) 977-1900
email us here

Source: EIN Presswire

High Definition Music Card – The New Way to Experience Music!

Alexander Golberg Jero

Alexander Golberg Jero

The High Definition Music Card Debuts with Mozart Requiem

Each individual sound can have it's unique location in 3-dimensional space”

— Alexander Golberg Jero

NEW YORK, NEW YORK, UNITED STATES, January 26, 2018 / — Alexander Goldberg Jero, the first winner of the first-ever Surround Sound Music Award back in 2002, has been making waves in the last few months with the planned arrival of his new High Definition Music Card – which he now says will be released with Mozart's Requiem on file.

The High Definition Music Card will come in a USB format, will contain a plethora of musical choice, will be interactive, fit in your pocket and – as if all that wasn't enough – contains all of the latest and most advanced software related to surround sound reproduction – the aspect for which Jero is most famous. The intricately simplistic device seeks to be compatible with desktop and laptop devices, iPads and phones, Android phones, headphones, blu-ray players – and any other number of functional devices that one can use to listen to music on. Compatibility is one of the big selling points of this product, increasing its functionality and thereby its value to the consumer. The new innovative design of the HD card will allow music listeners not only to store their favourite tunes all in one place but will also be a sort of multi-media one-stop shop, where people can connect to share videos with friends, listen and share music and even explore the cards files to find some new tunes.
The days of keeping music on CDS are swiftly dying out!

Jero's innovative new product will be mass marketed, aimed at all consumers and specified as a new musical experience. It is set to take the music world by storm, and to re-establish Jero as a world leader in sound production. The HD card's production is already attracting major record labels and other popular artists who support the idea of a new form of music. Jero doesn't want to take all of the success to himself, however, and has earmarked space on the HD card for other artists to link blogs, bios and other information back to customers, helping every artist involved to flourish and prosper! Also good news for the consumer, who can scan through details of artists they like at a mere glance.

Born in Moscow, Jero Goldberg started playing music at the age of 7. In an interview with High Fidelity Review in 2002 he says;
"Coming from a classical music background I was always looking at sound and acoustics as a main creative element of music perception. In my early years, I was always searching for the perfect location in a room to play one of my instruments and using its acoustics to complement the performance."

Jero is recording a glut of classical warhorses anew, hiring the very best of musicians in the field to connect to his virtual studio and work under his own baton. However, these are not live ensemble recordings in the traditional sense. Jero brings sections in separately and records them, often utilizing previous recordings as reference material. He then assembles the final product in the mixing room. It's an unusual approach for a genre as hopefully organic as classical music, and listeners reactions may be colored by the knowledge that high tech wizardry has at least helped to craft the architecture of any given performance.

Jero attempts to explain his process thusly; "To understand how impactful it will be, just imagine being at the movies, watching a 3D film and the concept is the same. Each individual sound has its unique three-dimensional location in space, just like 3D images do. Further, this project brings the potential to radically change the music industry through exciting new technologies and expertise." By using this process he creates 3-dimensional sounds that pop against the background and create a unique new experience for all listeners. Jero has created the third dimension of music – and better yet, he is giving us a way to access it!

All that is left to do is to wait for the announcement of the card's arrival to see for ourselves what kind of delights lie in wait for us. If you wish to know more about the project, think you can contribute or even want to get in touch with Mr Jero himself then you can find out more about upcoming High Definition Music Card titles at The High Definition Music Card is tipped to be the new format for music lovers everywhere, so keep up with the trends and don't miss out!

Alexander Golberg Jero
MediaInVision PLC – New York
email us here

MediaInVision High Definition Music Card Explainer Video

Source: EIN Presswire

TRON’s First Beta Version Exodus Will Be Launched on March 31

Chinese Blockchain Platform Focuses on Trust and Decentralization

We believe in the three major values, which are also the foundation for Internet 4.0: trustworthy decentralized applications, blockchain enabled smart contracts and digital values.”

— Justin Sun, Founder of TRON

TORONTO, ONTARIO, CANADA, January 25, 2018 / — TRON, the Chinese blockchain platform that established the concept of a shared economy in digital entertainment with a world market valued at $ 1 trillion, today announced the latest progress of Exodus, showing that the main network functions were all set, and will be launched on March 31. This should be the second important upgrade after the open source on December 29, 2017.

The leader of TRON’s technical department, Chen Zhiqiang, integrated the advantages of multiple blockchain systems and proposed and realized the following core functions:

1. With UTXO-based trading models, history transactions can be transparently tracked through the public ledger. UTXO boots concurrent processing capability and enhances network performance. Create the concept of transaction account that is consistent with the real-world application through abstraction based on UTXO technology.
2. Achieve over 1 thousand transactions per second with PoS-based TBFT consensus mechanism which adjusts the account takers of a transaction according to the speed and delay of the block.
3. Support ultra-low fee transfer (10e-6 TRX per transfer).
4. Provide a secure execution environment for smart contract byte-code with TRON virtual machine (TVM). TVM has following advantages: lightweight, fast loading, resource isolation, high scalability etc.
5. Support smart contracts are written in programming languages such as Java. Compile them into TVM byte-code with TRON compiler for high execution performance.
6. Provide common ABCI (Application Blockchain Interface) with consensus engine and Blockchain state machine loosely-coupled architecture.
7. Provide distributed network management and monitoring utilities. Visualize TRON operations and performance to easily track the status and potential risks.

TRON is a decentralized content protocol on the basis of blockchain, whose purpose is to establish a worldwide free-content entertainment system through blockchain and distributed storage technology. This protocol enables every user to distribute, store and own data freely; meanwhile, under decentralized autonomy, it could determine the distribution, subscription, and push of contents by means of digital asset distribution, circulation and transaction, enable content creators and finally form a decentralized content entertainment ecology.

About TRON:

TRON introduces the concept of "distributed economy" into digital entertainment and creates a new era in online entertainment. The token – TRX is already working with 300,000 holders from around the world. The project expands the capabilities of digital entertainment platforms, including online casinos, gaming, social networks and online shows, offering reliable payment, storage, and co-funded features for them.

TRON was founded by Justin Sun, the former chief representative of the Greater China Region of Ripple, the first batch of students of Hupan University, one of the 2015/2017 Forbes 30 Chinese entrepreneurs under the age of 30 and one of the 2017 Forbes 30 Asian entrepreneurs under the age of 30. As of January 18, 2018, 12 o’clock, according to, an authoritative information website in virtual currency area, the total market value of TRX — TRON’s official token — has entered Top 15 at present, ranking Top 13 with a total market value of 10 billion USD and a daily trading volume of 4.6 billion USD. At least 500,000 people worldwide are now holding TRX. In 2015, Justin became the only millennial attendee of Hupan University founded by Jack Ma, Chairman of Alibaba, so he is well known as protégé of Jack Ma.

Emie-Claude Lamoureux
MLG Blockchain Consulting
email us here

Source: EIN Presswire

Video Management Software Market 2018 Global Trend, Segmentation and Opportunities, Forecast To 2025 adds “Video Management Software Market 2018 Global Analysis, Opportunities Research Report Forecasting to 2025”reports to its database.

PUNE, INDIA, January 25, 2018 / — Video Management Software Market:

Executive Summary

This report studies the global Video Management Software market, analyzes and researches the Video Management Software development status and forecast in United States, EU, Japan, China, India and Southeast Asia. This report focuses on the top players in global market, like

Qognify(NICE Systems)
Video Insight
Tyco Security
A&H Software

Market segment by Regions/Countries, this report covers

United States
Southeast Asia

Market segment by Type, the product can be split into

Standard Level
Professional Level
Enterprise Level

Market segment by Application, Video Management Software can be split into


If you have any special requirements, please let us know and we will offer you the report as you want.

Request Sample Report @

Table of content:

Global Video Management Software Market Size, Status and Forecast 2025 
1 Industry Overview of Video Management Software 
1.1 Video Management Software Market Overview 
1.1.1 Video Management Software Product Scope 
1.1.2 Market Status and Outlook 
1.2 Global Video Management Software Market Size and Analysis by Regions (2013-2018) 
1.2.1 United States 
1.2.2 EU 
1.2.3 Japan 
1.2.4 China 
1.2.5 India 
1.2.6 Southeast Asia 
1.3 Video Management Software Market by Type 
1.3.1 Standard Level 
1.3.2 Professional Level 
1.3.3 Enterprise Level 
1.3.4 Cloud 
1.4 Video Management Software Market by End Users/Application 
1.4.1 Commercial 
1.4.2 Government 
1.4.3 Personal

2 Global Video Management Software Competition Analysis by Players 
2.1 Video Management Software Market Size (Value) by Players (2013-2018) 
2.2 Competitive Status and Trend 
2.2.1 Market Concentration Rate 
2.2.2 Product/Service Differences 
2.2.3 New Entrants 
2.2.4 The Technology Trends in Future

3 Company (Top Players) Profiles 
3.1 Milestone 
3.1.1 Company Profile 
3.1.2 Main Business/Business Overview 
3.1.3 Products, Services and Solutions 
3.1.4 Video Management Software Revenue (Million USD) (2013-2018) 
3.1.5 Recent Developments 
3.2 Genetec 
3.2.1 Company Profile 
3.2.2 Main Business/Business Overview 
3.2.3 Products, Services and Solutions 
3.2.4 Video Management Software Revenue (Million USD) (2013-2018) 
3.2.5 Recent Developments 
3.3 Qognify(NICE Systems) 
3.3.1 Company Profile 
3.3.2 Main Business/Business Overview 
3.3.3 Products, Services and Solutions 
3.3.4 Video Management Software Revenue (Million USD) (2013-2018) 
3.3.5 Recent Developments 
3.4 Verint 
3.4.1 Company Profile 
3.4.2 Main Business/Business Overview 
3.4.3 Products, Services and Solutions 
3.4.4 Video Management Software Revenue (Million USD) (2013-2018) 
3.4.5 Recent Developments 
3.5 Axis 
3.5.1 Company Profile 
3.5.2 Main Business/Business Overview 
3.5.3 Products, Services and Solutions 
3.5.4 Video Management Software Revenue (Million USD) (2013-2018) 
3.5.5 Recent Developments 
3.6 Aimetis 
3.6.1 Company Profile 
3.6.2 Main Business/Business Overview 
3.6.3 Products, Services and Solutions 
3.6.4 Video Management Software Revenue (Million USD) (2013-2018) 
3.6.5 Recent Developments 
3.7 OnSSI 
3.7.1 Company Profile 
3.7.2 Main Business/Business Overview 
3.7.3 Products, Services and Solutions 
3.7.4 Video Management Software Revenue (Million USD) (2013-2018) 
3.7.5 Recent Developments 
3.8 Video Insight 
3.8.1 Company Profile 
3.8.2 Main Business/Business Overview 
3.8.3 Products, Services and Solutions 
3.8.4 Video Management Software Revenue (Million USD) (2013-2018) 
3.8.5 Recent Developments 
3.9 AxxonSoft 
3.9.1 Company Profile 
3.9.2 Main Business/Business Overview 
3.9.3 Products, Services and Solutions 
3.9.4 Video Management Software Revenue (Million USD) (2013-2018) 
3.9.5 Recent Developments 
3.10 Tyco Security 
3.10.1 Company Profile 
3.10.2 Main Business/Business Overview 
3.10.3 Products, Services and Solutions 
3.10.4 Video Management Software Revenue (Million USD) (2013-2018) 
3.10.5 Recent Developments 
3.11 Cathexis 
3.12 MindTree 
3.13 Pelco 
3.14 Salient 
3.15 ISS 
3.16 A&H Software 
3.17 3VR 
3.18 IProNet 
3.19 March 
3.20 Hikvision 
3.21 Dahua 
3.23 ZNV 
3.25 CDV 


For further information on this report, visit –

Norah Trent
WiseGuy Research Consultants Pvt. Ltd.
+1 646 845 9349 / +44 208 133 9349
email us here

Source: EIN Presswire

New eBook Sheds Light on Hollywood’s Unknown Secrets of Independent Film

A Complete Guide to (Independent) Filmmaking

LOS ANGELES, CA, USA, January 24, 2018 / — Multi Emmy Award-winning filmmaker Shane Stanley (Gridiron Gang, The Untold Story) is releasing "What You Don't Learn in Film School: A Complete Guide to (Independent) Filmmaking”, a no holds barred, transparent look at making movies from concept to delivery, a compilation of his 30 plus years of producing films at both the studio and independent level.

Stanley, who spends time between productions speaking at film schools across the country, sees a trend in what many students aren’t being taught. “It’s not the lack of curriculum or inept educators,” he says “…it’s the fact there’s only so much you can teach in the classroom and it isn’t until these students go out into the world that they realize how much they really don’t know. It’s overwhelming and often discouraging forcing many recent grads to throw in the towel and seek alternative career paths.”

It’s evident that Stanley is trying to help bridge the gap between the classroom and real life by giving the next generation of filmmakers as much ammunition as possible before they venture out into Hollywood. But this book isn’t just for students – it’s for anyone trying to carve out a career in the film or television industry. Stanley, a two-time Emmy Award winner and four-time nominee before the age of 18, notes “…it’s what happened between then and now that has shaped me into who I am. I didn’t have a roadmap. I learned by trial and a lot of error, and God knows I made tons of avoidable mistakes.”

The ammunition in this tell-all comes from Stanley’s hands-on experience and pulls no punches when covering topics such as choosing what material to produce, raising independent capital, hiring a production crew and selecting the right cast to get the most bang for your buck in the worldwide marketplace. The chapter, Sales & Deception, tears the lid off many myths surrounding today's distribution platforms and opens the reader's eyes to walk a maze of sales traps and vague promises.

Stanley’s book is quickly being embraced by film schools across the country and anticipated to make itself onto many curricula's of well-respected universities. The foreword is written by Oscar, Golden Globe and Grammy Award winner, Paul Williams (Phantom of the Paradise, Evergreen) and the introduction by one of the most sought after directors in Hollywood, Adam Kane (Damnation, Star Trek: Discovery and American Gods). The book has already received praise from industry heavyweights such as Neal Moritz (The Fast & Furious franchise, S.W.A.T., 21 & 22 Jump Street), Jeff Sagansky (former President of SONY Entertainment and CBS Studios), two time Golden Globe-winning actress/producer Jane Seymour and New York Times best-selling author, James Riordan (Stone: The Controversies, Excesses and Exploits of a Radical Filmmaker and The Platinum Rainbow: How to Succeed in the Music Business…without Selling Your Soul).

The book will be available exclusively for preorder on Amazon for $8.99 until January 30th then at all major retailers in both eBook or paperback.

For more information go to:

Emily Allan
Industry Insider Publications
email us here

Source: EIN Presswire