法國MIDEM唱片展最受矚目演出!臺灣之夜壓軸登場

2018年法國坎城MIDEM國際唱片展於當地時間 6 月5日正式展開,其中最重要的表演活動也於今天進入最後的高潮階段,臺灣代表團今年推派的三組演出藝人:艾怡良、宇宙人、DJ Cookie於6 月7日進行了「臺灣之夜」演出,而這場MIDEM展的壓軸,三組藝人各具魅力的精彩表演,獲得在場觀眾的歡迎與喜愛。

台北市, 松山區, CANNES, June 11, 2018 /EINPresswire.com/ — 2018年法國坎城MIDEM國際唱片展於當地時間 6 月5日正式展開,其中最重要的表演活動也於今天進入最後的高潮階段,臺灣代表團今年推派的三組演出藝人:艾怡良、宇宙人、DJ Cookie於6 月7日進行了「臺灣之夜」演出,而這場MIDEM展的壓軸,三組藝人各具魅力的精彩表演,獲得在場觀眾的歡迎與喜愛。

「2018年法國坎城MIDEM國際唱片展」於當地時間5日至8日舉辦,由文化部影視及流行音樂產業局主辦、大京藝術創新有限公司策畫執行參展,於展期期間設置臺灣館,進行海外商務交流、參與產業論壇等活動,「臺灣之夜」的演出更是此行的重點之一。

「臺灣之夜」首先登場的是金曲歌后艾怡良,表演一開始音控出了點小狀況,但艾怡良臨危不亂,沉穩的演出獲得全場觀眾熱情支持與鼓勵,還以流利的英語與觀眾互動,分享其創作歌曲的靈感來源,演唱時極具爆發力的嗓音也讓觀眾折服,聽得如癡如醉,展現驚人的歌唱實力。

由三位大男孩組成的宇宙人樂團,不但是近幾年來臺灣樂團的當紅寵兒,到達法國之後,也引起不少外媒興趣,專訪不斷。偏重於流行放克的音樂風格,有著臺灣新一代年輕人青春活潑的朝氣,連聽不懂歌詞的老外也被音樂節奏所感染,紛紛簇湧到舞台前來跟著搖擺。而最後登場的DJ Cookie,專業成熟的技巧把電子音樂的特色徹底發揮,將現場營造時尚夜店氛圍,即使表演時間已超過半夜,仍吸引許多觀眾留下。

臺灣代表團這些年來在MIDEM國際唱片展的持續參與努力下,已成為展會不可或缺的重要夥伴,每年「臺灣之夜」的演出更是展會上的焦點,臺灣流行音樂也受到國際音樂產業人士的注目及讚賞。

坎城「臺灣之夜」演出後,藝人即將轉往巴黎進行下一場演出旅程。更多「2018年法國坎城MIDEM國際唱片展」最新訊息與演出動態,將同步更新於大京藝術官方粉絲頁(facebook.com/gca3nt),歡迎各界上線查詢最新消息。

Dolly
GCA Entertainment
+886 905-581-600
email us here


Source: EIN Presswire

Old Mill District News Roundup: New Tenants, Pop-ups and Remodels for Summer

Bend, Oregon shopping, dining and entertainment district welcomes the season with new offerings and fresh updates to favorite spots

BEND, OR, UNITED STATES, June 8, 2018 /EINPresswire.com/ — The Old Mill District is ready for summer in Central Oregon with fresh new looks, new openings and a stellar live music lineup for the Les Schwab Amphitheater concert season. Visitors to the area will discover:

New renovations:

• Anthony’s at the Old Mill recently completed a renovation for a fresh, new atmosphere for diners to enjoy fresh Northwest seafood and more, overlooking the Deschutes River and the Cascade Mountain Range.

• The Gap, Chicos and Pastini Pastaria have all refreshed their interiors with new flooring, while the Sunglass Hut has undergone a full remodel of its store.

• The outdoor trellis in front The Gap and Banana Republic was removed to open up the area and increase visibility, as well as improve safety during icy weather.

Grand openings and popups:

• The Petal Wagon pop-up flower truck will be selling fresh flowers from Oregon and beyond, with a goal of bringing farmers, people in the community and flowers together. The truck will visit the Old Mill District on multiple Saturdays throughout the summer season.

• Free solar charging stations are now open in Center Plaza and by Jimmy Johns for cell phone and device charging.

• The much-anticipated CycleBar opened June 7 next to Lululemon and Red Robin. The international indoor cycling franchise combines music with classes and instructors who lead participants in 50-minute workouts on stationary bicycles arranged in a riding theater. Individuals can sign up and create an account to take advantage of free classes between June 7-13.

• Nature Inspired Photography and Furniture is opening for the summer season featuring award-winning photography from Holly Fischer and furniture creations from Mike Ross at Natural Edge Furniture. The shop will be located at 450 SW Powerhouse Dr., Suite 408 and will be open from Friday, June 15 through Labor Day weekend.

Event season kickoff:

• After a fantastic kick-off to the 2018 concert season with Ray LaMontagne and Neko Case, the Les Schwab Amphitheater live music lineup continues today with Jethro Tull on Friday, June 8 and Slightly Stoopid, with special guests Stick Figure and Pepper on June 9. For a complete list of this year’s concerts, visit www.bendconcerts.com.

About the Old Mill District
One of the Pacific Northwest’s most distinctive and dynamic mixed-use developments, the Old Mill District is located on 270 acres that formerly housed one of the largest sawmill operations in the world. The rich history of the land is coupled with spectacular mountain views, scenic river vistas and an extensive trail system to enjoy the outdoors. More than 55 local, regional and national retailers and businesses call the Old Mill District home. The Old Mill District – Bend’s most unique shopping, dining, living, and entertainment experience. www.oldmilldistrict.com

###

Noelle Fredland
Old Mill District
541-312-0131
email us here


Source: EIN Presswire

Fiona Joy Hawkins and Cookie Marenco Re-Team to Share a High-Fidelity STORY of GHOSTS

Story of Ghosts SACD cover art

Story of Ghosts, the new solo piano album by Fiona Joy Hawkins, on Blue Coast Records

Fiona Joy Hawkins image

Australian pianist, composer, singer Fiona Joy Hawkins, photographed by Anthony St. James.

Story of Ghosts is Fiona Joy Hawkins' third solo piano album, described as "impressionistic and modern yet melodic." It releases worldwide today in SACD format.

This album is a little darker, a little more neo-classical and is the product of a less than ordinary year…”

— Fiona Joy Hawkins

SAN FRANCISCO, CA, USA, June 8, 2018 /EINPresswire.com/ — True to the haunting title of her extraordinary new solo piano album Story of Ghosts, Fiona Joy Hawkins had a harrowing year in 2017 – and makes no attempts to sugarcoat the emotional upheaval. She bares it all over the course of these mostly grey-toned melancholy and vulnerable pieces, expressed in raw bursts of dark beauty that draw on her classical background and impressionistic modern yet melodic compositions. The album was produced by Cookie Marenco, who is releasing Story of Ghosts in SACD format today on her label, Blue Coast Records.

Hawkins' name resonates in acoustic music circles as one of this generation's top contemporary solo piano artists, and she is a favorite among audiophiles. The album was recorded at Blue Coast Music on the studio's beloved 1885 Steinway piano in DSD256 using an improved system of cabling that was not available until now; it is said that listeners hear the clarity of the piano just as if they were sitting behind the keyboard.

Story of Ghosts is Hawkins' third solo piano album (and 10th piano album). As a whole, the album takes her fans on an introspective journey reflecting the past year of her life as she deals with its twists and turns (as we all do). Hawkins has long believed that if artists didn’t have life’s highs and lows to draw on, they wouldn’t have interesting or passionate stories to tell. She’s never been one to write “happy music,” but she’s found even more despairing places to draw from as she channels into art the adversity of the past year, which included many friends and family members getting seriously sick, dying or going insane.

She opens the album with the uplifting and just whimsical enough “Song for Dunnie,” which she wrote for the funeral of Annette (Dunnie) Crossley, one of her best friends. The lushly flowing piece represents a life that must have been full of vibrant brightness, good humor and joy – the ultimate tribute to a friend whose love and life surely endures in realms beyond what we can see and hear.

The rest of the collection finds Hawkins less forgiving of the capricious Universe, digging deep and soulfully to find melodic grace while working through her inability to cope with what life threw at her in any other meaningful way. Somehow, sitting at the piano, finding solace in the purpose the cosmos has always had for her, she was able to traverse the dark night of the soul and keep moving forward – crying at times, contemplating quietly at others, but surviving the best way she could, with single take recordings that draw us into her intimate journey.

At the core of the set, she uses the piano to weave interconnected tales with similar motifs – the slow, then fast, the uncertain yet determined to transcend “Story of Angels,” and the moody hypnosis that leads to attempts to dance and then sudden dream-dashing stops in “Story of Ghosts.” The deepest tale is told by the third story song, the contemplative “Story of Insanity” which alternates shards of light with the ever-encroaching night in a romp of anger tempered by gentle understanding.

Other notables are the meditational “Contemplating (Solo)" which find her deep in thought, seeking answers in the high notes as tension builds; an escape into a deep “Blue Dream,” whose high and low dynamics indicate mood swings that shift on a dime during crises; and a rhythmic thrust towards “The White Light,” perhaps a place between worlds where high and low notes battle it out for our mortal hearts.

Fans of FLOW — the recently launched hit new age group featuring Hawkins, Will Ackerman, Lawrence Blatt and Jeff Oster — will recognize the closing track “Before the Light” as the beautifully rendered foundation of “Arrival,” the opening track on FLOW’s self-titled debut. In the FLOW version, the darker edges of the piece get subsumed into a lighter-hearted groove. Here it’s allowed to flourish in the shadows, exploring the heavy mysteries of life’s pain that occur before the healing – and wondering along the way if it will ever come.

Hawkins shares, "This album is a little darker, a little more neo-classical and is the product of a less than ordinary year that touches on stories of Ghosts, Insanity and Angels, and everything in between. There’s a lot of emotion in it and that part was a challenge. I have always believed there is beauty in sadness and sadness in beauty; when we delve down into this, we find our true depth. Having said that, there is a happy track – track one!"

In Story of Ghosts, we find a sympathetic friend. We can both empathize and enjoy the musical beauty and grace that Hawkins shares while working through the obstacles to make peace with the sorrow life has thrown her way. Grieving or not, Hawkin’s piano will soothe your soul – even if hers is still a work in progress.

Story of Ghosts was recorded at Blue Coast Music; it is available as a high-resolution download at Blue Coast Music, as mp3 on most digital music platforms, and through select mainstream music retailers in SACD format, which plays in CD players, too.

Buy or download the album: https://bluecoastmusic.com/fiona-joy/story-of-ghosts#.WxBJWVOFOgR

Amazon: http://a.co/aF2QBrk

Beth A. Hilton
The B Company
3105608390
email us here

Official Video: “Story of Ghosts”


Source: EIN Presswire

Global Headphone Market 2018 Segmentation, Demand, Growth, Trend, Opportunity and Forecast to 2025

Headphone Market –Market Demand, Growth, Opportunities, Analysis of Top Key Players and Forecast to 2025

PUNE, INDIA, June 7, 2018 /EINPresswire.com/ — Headphone Market 2018

Wiseguyreports.Com adds “Headphone Market –Market Demand, Growth, Opportunities, Analysis of Top Key Players and Forecast to 2025” To Its Research Database.

Report Details:

This report provides in depth study of “Headphone Market” using SWOT analysis i.e. Strength, Weakness, Opportunities and Threat to the organization. The Headphone Market report also provides an in-depth survey of key players in the market which is based on the various objectives of an organization such as profiling, the product outline, the quantity of production, required raw material, and the financial health of the organization.

This report studies the global Headphone market status and forecast, categorizes the global Headphone market size (value & volume) by key players, type, application, and region. This report focuses on the top players in North America, Europe, Asia-Pacific, South America, and Middle East & Africa.

The major manufacturers covered in this report 
Foster 
CRESYN 
Gerotek 
Fujikon 
Merry 
Foxlink 
Cosonic 
Hosiden 
AAC 
DUNU 
Eastern Technologies 
Voxtech 
SoundMAGIC 
OVC 
Sun Young 
DZL

Request a Sample Report @ https://www.wiseguyreports.com/sample-request/2751707-global-headphone-market-research-report-2018

Geographically, this report studies the top producers and consumers, focuses on product capacity, production, value, consumption, market share and growth opportunity in these key regions, covering 
North America 
Europe 
China 
Japan 
Southeast Asia 
India 
Other Regions (India, Southeast Asia, Central & South America and Middle East & Africa)

We can also provide the customized separate regional or country-level reports, for the following regions: 
North America 
United States 
Canada 
Mexico 
Asia-Pacific 
China 
India 
Japan 
South Korea 
Australia 
Indonesia 
Singapore 
Rest of Asia-Pacific 
Europe 
Germany 
France 
UK 
Italy 
Spain 
Russia 
Rest of Europe 
Central & South America 
Brazil 
Argentina 
Rest of South America 
Middle East & Africa 
Saudi Arabia 
Turkey 
Rest of Middle East & Africa

On the basis of product, this report displays the production, revenue, price, market share and growth rate of each type, primarily split into 
Wired 
Wireless 

On the basis of the end users/applications, this report focuses on the status and outlook for major applications/end users, consumption (sales), market share and growth rate for each application, including 
Sports Headphones 
Gaming Headphones 
Business Headphones 
Professional Headphones 
Ordinary Headphones

Key Stakeholders 
Headphone Manufacturers 
Headphone Distributors/Traders/Wholesalers 
Headphone Subcomponent Manufacturers 
Industry Association 
Downstream Vendors

If you have any special requirements, please let us know and we will offer you the report as you want.

Complete Report Details@ https://www.wiseguyreports.com/reports/2751707-global-headphone-market-research-report-2018

Major Key Points in Table of Content:

Global Headphone Market Research Report 2018 
1 Headphone Market Overview 
1.1 Product Overview and Scope of Headphone 
1.2 Headphone Segment by Type (Product Category) 
1.2.1 Global Headphone Production and CAGR (%) Comparison by Type (Product Category)(2013-2025) 
1.2.2 Global Headphone Production Market Share by Type (Product Category) in 2017 
1.2.3 Wired 
1.2.4 Wireless 
1.3 Global Headphone Segment by Application 
1.3.1 Headphone Consumption (Sales) Comparison by Application (2013-2025) 
1.3.2 Sports Headphones 
1.3.3 Gaming Headphones 
1.3.4 Business Headphones 
1.3.5 Professional Headphones 
1.3.6 Ordinary Headphones 
1.4 Global Headphone Market by Region (2013-2025) 
1.4.1 Global Headphone Market Size (Value) and CAGR (%) Comparison by Region (2013-2025) 
1.4.2 North America Status and Prospect (2013-2025) 
1.4.3 Europe Status and Prospect (2013-2025) 
1.4.4 China Status and Prospect (2013-2025) 
1.4.5 Japan Status and Prospect (2013-2025) 
1.4.6 Southeast Asia Status and Prospect (2013-2025) 
1.4.7 India Status and Prospect (2013-2025) 
1.5 Global Market Size (Value) of Headphone (2013-2025) 
1.5.1 Global Headphone Revenue Status and Outlook (2013-2025) 
1.5.2 Global Headphone Capacity, Production Status and Outlook (2013-2025)

 ….

7 Global Headphone Manufacturers Profiles/Analysis 
7.1 Foster 
7.1.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.1.2 Headphone Product Category, Application and Specification 
7.1.2.1 Product A 
7.1.2.2 Product B 
7.1.3 Foster Headphone Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.1.4 Main Business/Business Overview 
7.2 CRESYN 
7.2.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.2.2 Headphone Product Category, Application and Specification 
7.2.2.1 Product A 
7.2.2.2 Product B 
7.2.3 CRESYN Headphone Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.2.4 Main Business/Business Overview 
7.3 Gerotek 
7.3.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.3.2 Headphone Product Category, Application and Specification 
7.3.2.1 Product A 
7.3.2.2 Product B 
7.3.3 Gerotek Headphone Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.3.4 Main Business/Business Overview 
7.4 Fujikon 
7.4.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.4.2 Headphone Product Category, Application and Specification 
7.4.2.1 Product A 
7.4.2.2 Product B 
7.4.3 Fujikon Headphone Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.4.4 Main Business/Business Overview 
7.5 Merry 
7.5.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.5.2 Headphone Product Category, Application and Specification 
7.5.2.1 Product A 
7.5.2.2 Product B 
7.5.3 Merry Headphone Capacity, Production, Revenue, Price and Gross Margin (2015-2018) 
7.5.4 Main Business/Business Overview 
7.6 Foxlink 
7.6.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.6.2 Headphone Product Category, Application and Specification 
7.6.2.1 Product A 
7.6.2.2 Product B 
7.6.3 Foxlink Headphone Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.6.4 Main Business/Business Overview 
7.7 Cosonic 
7.7.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.7.2 Headphone Product Category, Application and Specification 
7.7.2.1 Product A 
7.7.2.2 Product B 
7.7.3 Cosonic Headphone Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.7.4 Main Business/Business Overview 
7.8 Hosiden 
7.8.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.8.2 Headphone Product Category, Application and Specification 
7.8.2.1 Product A 
7.8.2.2 Product B 
7.8.3 Hosiden Headphone Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.8.4 Main Business/Business Overview 
7.9 AAC 
7.9.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.9.2 Headphone Product Category, Application and Specification 
7.9.2.1 Product A 
7.9.2.2 Product B 
7.9.3 AAC Headphone Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.9.4 Main Business/Business Overview 
7.10 DUNU 
7.10.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.10.2 Headphone Product Category, Application and Specification 
7.10.2.1 Product A 
7.10.2.2 Product B 
7.10.3 DUNU Headphone Capacity, Production, Revenue, Price and Gross Margin (2013-2020) 
7.10.4 Main Business/Business Overview 

Continued….

Norah Trent
wiseguyreports
+1 646 845 9349 / +44 208 133 9349
email us here


Source: EIN Presswire

Music Production Equipment Market Major Manufacturers, Trends, Demand, Share Analysis to 2025

Music Production Equipment Market –Market Demand, Growth, Opportunities, Analysis of Top Key Players and Forecast to 2025

PUNE, INDIA, June 7, 2018 /EINPresswire.com/ — Music Production Equipment Market 2018

Wiseguyreports.Com adds “Music Production Equipment Market –Market Demand, Growth, Opportunities, Analysis of Top Key Players and Forecast to 2025” To Its Research Database.

Report Details:

This report provides in depth study of “Music Production Equipment Market” using SWOT analysis i.e. Strength, Weakness, Opportunities and Threat to the organization. The Music Production Equipment Market report also provides an in-depth survey of key players in the market which is based on the various objectives of an organization such as profiling, the product outline, the quantity of production, required raw material, and the financial health of the organization.

This report studies the global Music Production Equipment market status and forecast, categorizes the global Music Production Equipment market size (value & volume) by manufacturers, type, application, and region. This report focuses on the top manufacturers in North America, Europe, Japan, China, and other regions (India, Southeast Asia, Central & South America, and Middle East & Africa).

The major manufacturers covered in this report 
Fender Musical Instruments 
Gibson Brands 
Kawai Musical Instruments 
Roland 
Steinway & Sons 
Yamaha 
Shure 
Harman International 
Audio-Technica 
C.F. Martin & Company 
D'Addario 
QRS Music Technology 
Sennheiser Electronic

Request a Sample Report @ https://www.wiseguyreports.com/sample-request/2772906-global-music-production-equipment-market-research-report-2018

Geographically, this report studies the top producers and consumers, focuses on product capacity, production, value, consumption, market share and growth opportunity in these key regions, covering 
North America 
Europe 
China 
Japan 
Southeast Asia 
India 
Other Regions (India, Southeast Asia, Central & South America and Middle East & Africa)

We can also provide the customized separate regional or country-level reports, for the following regions: 
North America 
United States 
Canada 
Mexico 
Asia-Pacific 
China 
India 
Japan 
South Korea 
Australia 
Indonesia 
Singapore 
Rest of Asia-Pacific 
Europe 
Germany 
France 
UK 
Italy 
Spain 
Russia 
Rest of Europe 
Central & South America 
Brazil 
Argentina 
Rest of South America 
Middle East & Africa 
Saudi Arabia 
Turkey 
Rest of Middle East & Africa

On the basis of product, this report displays the production, revenue, price, market share and growth rate of each type, primarily split into 
Music Synthesizers 
DJ Gear 
Studio Headphones 
Digital Keyboards 
Other 

On the basis of the end users/applications, this report focuses on the status and outlook for major applications/end users, consumption (sales), market share and growth rate for each application, including 
Professional 
Amateur

Key Stakeholders 
Music Production Equipment Manufacturers 
Music Production Equipment Distributors/Traders/Wholesalers 
Music Production Equipment Subcomponent Manufacturers 
Industry Association 
Downstream Vendors

If you have any special requirements, please let us know and we will offer you the report as you want.

Complete Report Details@ https://www.wiseguyreports.com/reports/2772906-global-music-production-equipment-market-research-report-2018

Major Key Points in Table of Content:

Global Music Production Equipment Market Research Report 2018 
1 Music Production Equipment Market Overview 
1.1 Product Overview and Scope of Music Production Equipment 
1.2 Music Production Equipment Segment by Type (Product Category) 
1.2.1 Global Music Production Equipment Production and CAGR (%) Comparison by Type (Product Category)(2013-2025) 
1.2.2 Global Music Production Equipment Production Market Share by Type (Product Category) in 2017 
1.2.3 Music Synthesizers 
1.2.4 DJ Gear 
1.2.5 Studio Headphones 
1.2.6 Digital Keyboards 
1.2.7 Other 
1.3 Global Music Production Equipment Segment by Application 
1.3.1 Music Production Equipment Consumption (Sales) Comparison by Application (2013-2025) 
1.3.2 Professional 
1.3.3 Amateur 
1.4 Global Music Production Equipment Market by Region (2013-2025) 
1.4.1 Global Music Production Equipment Market Size (Value) and CAGR (%) Comparison by Region (2013-2025) 
1.4.2 North America Status and Prospect (2013-2025) 
1.4.3 Europe Status and Prospect (2013-2025) 
1.4.4 China Status and Prospect (2013-2025) 
1.4.5 Japan Status and Prospect (2013-2025) 
1.4.6 Southeast Asia Status and Prospect (2013-2025) 
1.4.7 India Status and Prospect (2013-2025) 
1.5 Global Market Size (Value) of Music Production Equipment (2013-2025) 
1.5.1 Global Music Production Equipment Revenue Status and Outlook (2013-2025) 
1.5.2 Global Music Production Equipment Capacity, Production Status and Outlook (2013-2025)

….

7 Global Music Production Equipment Manufacturers Profiles/Analysis 
7.1 Fender Musical Instruments 
7.1.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.1.2 Music Production Equipment Product Category, Application and Specification 
7.1.2.1 Product A 
7.1.2.2 Product B 
7.1.3 Fender Musical Instruments Music Production Equipment Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.1.4 Main Business/Business Overview 
7.2 Gibson Brands 
7.2.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.2.2 Music Production Equipment Product Category, Application and Specification 
7.2.2.1 Product A 
7.2.2.2 Product B 
7.2.3 Gibson Brands Music Production Equipment Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.2.4 Main Business/Business Overview 
7.3 Kawai Musical Instruments 
7.3.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.3.2 Music Production Equipment Product Category, Application and Specification 
7.3.2.1 Product A 
7.3.2.2 Product B 
7.3.3 Kawai Musical Instruments Music Production Equipment Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.3.4 Main Business/Business Overview 
7.4 Roland 
7.4.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.4.2 Music Production Equipment Product Category, Application and Specification 
7.4.2.1 Product A 
7.4.2.2 Product B 
7.4.3 Roland Music Production Equipment Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.4.4 Main Business/Business Overview 
7.5 Steinway & Sons 
7.5.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.5.2 Music Production Equipment Product Category, Application and Specification 
7.5.2.1 Product A 
7.5.2.2 Product B 
7.5.3 Steinway & Sons Music Production Equipment Capacity, Production, Revenue, Price and Gross Margin (2015-2018) 
7.5.4 Main Business/Business Overview 
7.6 Yamaha 
7.6.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.6.2 Music Production Equipment Product Category, Application and Specification 
7.6.2.1 Product A 
7.6.2.2 Product B 
7.6.3 Yamaha Music Production Equipment Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.6.4 Main Business/Business Overview 
7.7 Shure 
7.7.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors 
7.7.2 Music Production Equipment Product Category, Application and Specification 
7.7.2.1 Product A 
7.7.2.2 Product B 
7.7.3 Shure Music Production Equipment Capacity, Production, Revenue, Price and Gross Margin (2013-2018) 
7.7.4 Main Business/Business Overview 
7.8 Harman International 
7.9 Audio-Technica 
7.10 C.F. Martin & Company 

Continued….

Norah Trent
wiseguyreports
+1 646 845 9349 / +44 208 133 9349
email us here


Source: EIN Presswire

idion disc Delivers a Stunning Performance at iHeartRadio’s Wango Tango

The Wango Tango concert in Los Angeles saw the first large-scale rollout of the idion disc™, a skin-applied wearable with built-in NFC tags, powered by Smartrac

NEW YORK CITY, USA, June 6, 2018 /EINPresswire.com/ — This year's iHeartRadio’s Wango Tango by AT&T concert in Los Angeles (Saturday, June 2) saw the first large-scale rollout of the idion disc™, a patented, skin-applied wearable with built-in NFC capability that is essentially imperceptible when worn. Developed by idion LLC, a leader in skin-applied wearables, in partnership with Smartrac Technology Group, a global leader in RFID products and Internet of Things solutions, the idion disc™ is a thin, flexible, skin-adherent, wearable device that enables brands and venues to enhance attendee and guest experiences, increase engagement and increase sponsorship and partnership revenue.

At the Wango Tango festival village pre-concert event, attendees wore idion discs and used them to access and interact with exclusive event-related content and register for a chance to win floor seats to the Wango Tango by AT&T concert later that day. idion discs are hypoallergenic, water and dirt-resistant and can remain on the skin for up to 5-7 days. Unlike standard event technologies, idion technology does not require a wristband, necklace or other accessory to attach to the wearer.

Readable through standard iOS and Android smartphones or industry-standard NFC readers, the idion disc’s enclosed NFC inlay plus the related software and cloud solution enables brands, venues and sponsors to design unique, identity-specific experiences and experiential marketing campaigns for their attendees and guests. These can include seamless and secure credentialing, frictionless payment solutions and the collection of voluntary attendee information and engagement patterns. idion’s participation at Wango Tango by AT&T was sponsored in part by 7-Eleven.

Combining cutting-edge technologies to maximize attendee experience
“We are thrilled to partner with iHeartRadio and debut our idion disc skin-applied wearable at the iHeartRadio Wango Tango by AT&T festival village, the premier all-day summer music event in Southern Los Angeles,” said Michael Gilvary, Chief Operating Officer and co-founder of idion. “Our skin-applied technology takes wearables to the next level and makes possible attendee and brand engagement strategies that are not available with a traditional wristband, medallion or other standard RFID solution. The idion disc has been a hit with attendees and sponsors, and we expect to roll it out at other concerts and venues nationwide.”

“We’re very excited to be an integral part of idion’s high-performance offerings that deliver awesome experiences for iHeartRadio, and fans of iHeartRadio’s world-class concerts and events. Powered by Smartrac’s trusted IoT platform Smart Cosmos and our game-changing NFC solutions, the idion disc provides creative and thrilling experiences that take real-time customer engagement and intimacy to a whole new level for the event, hospitality and recreation markets. As a long-term strategic idion partner, Smartrac is well positioned and poised to support idion with their upcoming large-scale rollouts, as well as their rapid expansion into other markets”, said Amir Mobayen, Chief Revenue Officer and Member of the Management Board at Smartrac.

About idion:
idion offers a novel, skin wearable technology that enhances attendee and guest experiences at concerts, events, hotels, resorts, museums and other venues. idion’s technology is patented and covered by multiple issued claims and protected applications. Our product, the idion disc™, increases attendee and guest engagement by delivering an enhanced experience, simplifies access through secure credentialing and offers brands, venues and sponsors the ability to create an entirely new type of experiential marketing campaign and increase marketing ROI. The idion disc also enables the voluntary collection of data from attendees that can be used to improve decision making and prove sponsor and partner ROI. idion was founded in 2014 and is based in New York City, with offices in Durham, NC as well. idion’s skin-applied technology was originally designed for health care applications and is FDA compliant, water & dirt resistant and hypoallergenic. We market our technology under the Patient ID Shield (TM) brand to health care providers as a care management and patient identification platform. For more information, please visit www.idion.us or follow idion on Instagram or Twitter.

Media contact:
idion LLC
Nicole Koszowski
Media Relations
Phone: 908-507-6776
Email: nk@idion.us

About Smartrac:
Smartrac is a leading vendor of RFID products and IoT solutions, providing both ready-made and customized offerings. We make products smart, and enable businesses to identify, authenticate, track and complement products and solutions. Our portfolio is used in a wide array of applications, such as animal identification, automation, automotive, brand experience, industry, library and media management, laundry, logistics, retail, supply chain management, and many more. Leveraging our global research & development centers, production and sales network, and IoT-enablement platform Smart Cosmos®, we embed intelligence into physical products, empowering the ecosystem of connected things. Smartrac has its registered headquarters in Amsterdam, the Netherlands. For more information, please visit www.smartrac-group.com, follow Smartrac on Twitter, or sign up for a quarterly newsletter.

Media contact:
Smartrac Technology Group
Karin Fabri
Head of Corporate Marketing & Communications
Phone: +31 203 050 150
Email: media.relations@smartrac-group.com

Christian Achenbach
SMARTRAC TECHNOLOGY GmbH
+49711656926189
email us here


Source: EIN Presswire

Background Music Global Market – Industry Trends, Opportunities and Forecasts to 2023

PUNE, INDIA, June 6, 2018 /EINPresswire.com/ — The report provides a comprehensive analysis of the Background Music industry market by types, applications, players and regions. This report also displays the 2013-2023 production, Consumption, revenue, Gross margin, Cost, Gross, market share, CAGR, and Market influencing factors of the Background Music industry in USA, EU, China, India, Japan and other regions

Market Analysis by Players: This report includes following top vendors in terms of company basic information, product category, sales (volume), revenue (Million USD), price and gross margin (%).
Mood Media
PlayNetwork
TouchTunes
Usen Corporation
SiriusXM for Business
Pandora for Business
Almotech
Imagesound
Easy on Hold
Sunflower Music
Soundjack
Xenon Music Media
Qsic
Express Melody
Open Ear Music
Auracle Sound
Cloud Cover Music

Request a Sample Report @ https://www.wiseguyreports.com/sample-request/3105814-2018-global-background-music-industry-depth-research-report

Market Analysis by Regions: Each geographical region is analyzed as Sales, Market Share (%) by Types & Applications, Production, Consumption, Imports & Exports Analysis, and Consumption Forecast.
USA
Europe
Japan
China
India
Southeast Asia
South America
South Africa
Others

Market Analysis by Types: Each type is studied as Sales, Market Share (%), Revenue (Million USD), Price, Gross Margin and more similar information.
Type 1
Type 2

Market Analysis by Applications: Each application is studied as Sales and Market Share (%), Revenue (Million USD), Price, Gross Margin and more similar information.
Retail Stores
Restaurants
Entertainment Places
Public Organizations
Others

Table of Content

1 Background Music Market Overview
1.1 Product Overview of Background Music
1.2 Classification of Background Music
1.2.1 Type 1
1.2.2 Type 2
1.2.3 Type 3
1.2.4 Type 4
1.3 Applications of Background Music
1.3.1 Application 1
1.3.2 Application 2
1.3.3 Application 3
1.3.4 Application 4
1.4 Global Background Music Market Regional Analysis
1.4.1 USA Market Present Situation Analysis
1.4.2 Europe Market Present Situation Analysis
1.4.3 Japan Market Present Situation Analysis
1.4.4 China Market Present Situation Analysis
1.4.5 India Market Present Situation Analysis
1.4.6 Southeast Asia Market Present Situation Analysis
1.4.7 South America Market Present Situation Analysis
1.4.8 South Africa Market Present Situation Analysis
1.5 Background Music Industry Development Factors Analysis
1.5.1 Background Music Industry Development Opportunities Analysis
1.5.2 Background Music Industry Development Challenges Analysis
1.6 Background Music Consumer Behavior Analysis

2 Global Background Music Competitions by Players
2.1 Global Background Music Sales (Unit) and Market Share (%) by Players
2.2 Global Background Music Revenue (Million USD) and Share by Players (2017-2018)
2.3 Global Background Music Price (USD/Unit) by Players (2017-2018)
2.4 Global Background Music Gross Margin by Players (2017-2018)

3 Global Background Music Competitions by Types
3.1 Global Background Music Sales (Unit) and Market Share (%) by Types
3.2 Global Background Music Revenue (Million USD) and Share by Type (2013-2018)
3.3 Global Background Music Price (USD/Unit) by Type (2013-2018)
3.4 Global Background Music Gross Margin by Type (2013-2018)
3.5 USA Background Music Sales (Unit) and Market Share (%) by Type
3.6 China Background Music Sales (Unit) and Market Share (%) by Type
3.7 Europe Background Music Sales (Unit) and Market Share (%) by Type
3.8 Japan Background Music Sales (Unit) and Market Share (%) by Type
3.9 India Background Music Sales (Unit) and Market Share (%) by Type
3.10 Southeast Asia Background Music Sales (Unit) and Market Share (%) by Type
3.11 South America Background Music Sales (Unit) and Market Share (%) by Type
3.12 South Africa Background Music Sales (Unit) and Market Share (%) by Type

4 Global Background Music Competitions by Applications
4.1 Global Background Music Sales (Unit) and Market Share (%) by Applications
4.2 Global Background Music Revenue (Million USD) and Share by Applications (2013-2018)
4.3 Global Background Music Price (USD/Unit) by Applications (2013-2018)
4.4 Global Background Music Gross Margin by Applications (2013-2018)
4.5 USA Background Music Sales (Unit) and Market Share (%) by Applications
4.6 China Background Music Sales (Unit) and Market Share (%) by Applications
4.7 Europe Background Music Sales (Unit) and Market Share (%) by Applications
4.8 Japan Background Music Sales (Unit) and Market Share (%) by Applications
4.9 India Background Music Sales (Unit) and Market Share (%) by Applications
4.10 Southeast Asia Background Music Sales (Unit) and Market Share (%) by Applications
4.11 South America Background Music Sales (Unit) and Market Share (%) by Applications
4.12 South Africa Background Music Sales (Unit) and Market Share (%) by Applications

5 Global Background Music Production Market Analysis by Regions
5.1 Global Background Music Production (Unit) and Market Share (%) by Regions
5.1.1 USA Background Music Market Production Present Situation Analysis
5.1.2 Europe Background Music Market Production Present Situation Analysis
5.1.3 China Background Music Market Production Present Situation Analysis
5.1.4 Japan Background Music Market Production Present Situation Analysis
5.1.5 India Background Music Market Production Present Situation Analysis
5.1.6 Southeast Asia Background Music Market Production Present Situation Analysis
5.1.7 South America Background Music Market Production Present Situation Analysis
5.1.8 South Africa Background Music Market Production Present Situation Analysis
5.2 Global Background Music Production Value (Million USD) and Share by Region (2013-2018)
5.3 Global Background Music Price (USD/Unit) by Region (2013-2018)
5.4 Global Background Music Gross Margin by Region (2013-2018)

6 Global Background Music Sales Market Analysis by Region
6.1 USA Background Music Market Consumption Present Situation Analysis
6.2 Europe Background Music Market Consumption Present Situation Analysis
6.3 China Background Music Market Consumption Present Situation Analysis
6.4 Japan Background Music Market Consumption Present Situation Analysis
6.5 India Background Music Market Consumption Present Situation Analysis
6.6 Southeast Asia Background Music Market Consumption Present Situation Analysis
6.7 South America Background Music Market Consumption Present Situation Analysis
6.8 South Africa Background Music Market Consumption Present Situation Analysis

……Continued

Access Complete Report @ https://www.wiseguyreports.com/reports/3105814-2018-global-background-music-industry-depth-research-report

Norah Trent
wiseguyreports
+1 646 845 9349 / +44 208 133 9349
email us here


Source: EIN Presswire

Singer-Songwriter Eddy Mann and Leesta Vall Sound Recordings Announce a Direct-to-Vinyl Preorder

Indie Award Winner Eddy Mann and Leesta Vall Sound Recordings Announce a Direct-to-Vinyl Office Session Preorder.

Your record will include a one-of-a-kind performance from Eddy, cut specifically for you.”

— Leesta Vall Sound Recordings

PHILADELPHIA, PA, UNITED STATES, June 5, 2018 /EINPresswire.com/ — Singer-Songwriter Eddy Mann will visit Leesta Vall Sound Recordings for a Direct-to-Vinyl Office Session on August 11th. The session is available exclusively via preorder.

A 7" lathe cut vinyl record of a song of your choosing is available for each person that orders between now and the session date. No two records will be the same and only one copy of each will be made. Your record will include a one-of-a-kind performance from Eddy, cut specifically for you.

Quantities and time are limited, so don't sleep on this one….

The limited edition lathe cut record releases are made on a modified antique record cutting lathe from the 1950's. Each record is handmade, one at a time, in real time, by a real person.

Estimated ship date: 8/15/18.

Edward Lewis
One:27 Artisans
267-968-5483
email us here


Source: EIN Presswire

David Wahler Releases MOSAIC, a Transformational new Album with Videos, plus, "SounDecor" a Series of Designer Playlists

Mosaic, the bliss-invoking new album by David Wahler

David Wahler, composer, designer, curator.

Mosaic is the sixth album in David Wahler’s catalogue.

In his sixth album, Mosaic, David Wahler blissfully melds classic new age melodicism with cutting-edge electronics and state-of-the-art production quality.

David Wahler reaches a new pinnacle in his artistry of crafting emotionally rich, serenely flowing, and gently rhythmic electronic music soundscapes…”

— Bill Binkelman, Wind & Wire / ZMR

LOS ANGELES, CA, USA, June 5, 2018 /EINPresswire.com/ — In this day and age, it's refreshing to discover an artist who is living life on his own terms, and on his own timing…David Wahler is such a person. As early as age 7, it was clear that music would be natural part of his life, yet his artistic talent was not limited to music. Wahler enjoyed a successful Interior Design career as well, and today, all of his talents are converging in an exciting array of new music projects, a new album, and curated "SounDecor" playlists on Spotify. Mosaic is an independent release debuting on global radio this month, available both physically and digitally on CDBaby, and online at most music streaming platforms.

It was just a handful of years ago that Wahler retired from design and returned to his first love, music, embracing his dream of making music not just his career, but his life. Renewing his affinity for music and inviting it back into his life reignited his passion to create beautiful soundscapes; and his lifelong business experience is handy in elevating his music’s commercial and critical success. His first album, Antiquus, was released in 2009 to critical acclaim, followed by A Star Danced, Secret Dream, Spiritus and Becoming Bliss. With the 2018 release of his sixth album, Mosaic, David appears on the cusp of worldwide success, as he continues to craft melodic keyboard soundscapes, melding classic new age melodicism with cutting-edge electronics and state-of-the-art production quality.

When he returned to making music, Wahler's career took off in a major way. Antiquus set a record for highest charting debut album on the Zone Music Reporter chart; A Star Danced won ZMR’s Best Relaxation/Meditation album of 2010, and his 2015 Spiritus was nominated in the same category. If early reviews are any indication, then Mosaic is destined to be warmly embraced by programmers and DJs everywhere as it goes to radio this month.

“On Mosaic,” reviewer Bill Binkelman wrote “David Wahler reaches a new pinnacle in his artistry of crafting emotionally rich, serenely flowing, and gently rhythmic electronic music soundscapes that intermix new age music elements from the classic period of late '80s and early '90s with a more contemporary aspect and state of the art production quality…his trademark warmth and intimacy are apparent with every piano note and every application of electronic texture, as well as his meticulous attention to detail in layering all the elements present on every track."

Delving into the sound of the album itself, music writer Jonathan Widran notes that elements of “Afterain” are reminiscent of the calm moments of Michael Gettel’s 1992 masterpiece “River Run” while “A Promise To Keep” is the collection’s first acoustic piano driven piece, in the realm of the great works of David Lanz and Kevin Kern. It’s a soft-spoken meditation balancing trance-inducing low end chords and wistful melodies in the higher register, surrounded by a subtle synth ambience. That piece and the slow, easy flowing melody reminding us that we are “Heading Home” are classic-styled new age piano at its most engaging and thought provoking.

On a personal level, “Child of The Universe” can be enjoyed as a a dreamy, sensual swim through levitational ambience, a soulful flute melody and the angelic voices (courtesy of The Pacific Boy Choir) you might find in otherworldly realms. Wahler is at his most comforting and meditational on “August Cloud,” a full on dive into a murky swirl of slow, methodical synth and lighthearted piano passages that somehow gives way to fresh clarity, and “Fou d’amour” (which translates to “Crazy in Love”), a powerfully atmospheric expression of sensuality and romance. The harp flavors and happy bird songs throughout the sonic dreamcatcher “Elysian Dawn” prepare our hearts for heaven, and the operatic voice of an angel emerges at one point to bring our hearts home – if only temporarily.

Wahler’s titles can help listeners with the visuals, as in the globally conscious, gently whimsical, decidedly Asian flavored, “Sakura,” which is a Japanese cherry blossom, and “Lone Sky Night,” whose blend of synth melody, piano harmony and lush atmosphere is perfect soundtrack music for taking in the vastness of the cosmos. The artist closes with a question: “Why?” – so naturally, the tune is deeply moody and contemplative, offering no easy answers but an expansive amount of time for some deep mind bending.

When glancing back at a chance encounter with a woman who first took notice of his musical talent in playing by ear, Wahler muses, “I still think of that woman, years ago in that church meeting hall, asking me ‘Where did you learn how to do that?’ Perhaps now I would be able to answer her in all sincerity, ‘I didn't learn how to do it. It was a gift which was given to me by Spirit.’ My hope now is to share it with others and in so doing, transform our emotions and feelings and, perhaps, mindfully enrich our very existence.”

In brief, Wahler’s music creates a richly textured soundscape that invites stunning images of nature and deep space floats beautifully through the mind as it works its calming magic. It is perfect for relaxation, massage, yoga and meditation.

Visit DavidWahler.com to connect and explore the music, and to hear the new SounDecor series of design-inspired Spotify playlists, follow Wahler at: https://open.spotify.com/artist/2PyO4IRVbg2GIbTbWfZWrI

Beth A. Hilton
The B Company
3105608390
email us here

David Wahler’s MOSAIC, a video by AquarielCharm


Source: EIN Presswire

Toronto Rock Band Across The Board Supports Ovarian Cancer Canada With "She's Listening"

Award-winning Toronto-based rock band, Across The Board have released a new song, "She's Listening" and 5 song EP, in support of Ovarian Cancer Canada.

Along with the music, we are here to raise awareness of ovarian cancer, one of the deadliest women’s cancers. In Canada, we lose 5 women a day to ovarian cancer. ”

— Mike Anderson, Co-creator – She's Listening Project

TORONTO, ONTARIO, CANADA, June 4, 2018 /EINPresswire.com/ — Canadian rock band, Across The Board, takes a pause during their SONIC BOOM album release project to support Ovarian Cancer Canada with a brand new song “She’s Listening” and a 5 song EP with never-before published acoustic versions of some of their songs including JANE ON FIRE, SAD GUITAR, ONE WAY TICKET and BARB’s SONG.

“She’s Listening” took its title from the project by the same name that brings female indie artists from across the country together for a collection of acoustic performances to promote ovarian cancer screening and education and to raise funds for Ovarian Cancer Canada.

From Mike Anderson of Arts Publicity, and co-creator of the series, “Along with the music, we are here to raise awareness of ovarian cancer, one of the deadliest women’s cancers. Some of you may not know, but ovarian cancer is the most fatal women’s cancer. There is no early detection test for the disease and the signs and symptoms are hard to recognize. In Canada, we lose 5 women a day to ovarian cancer. Outcomes have not improved in over 50 years because investment in research has lagged behind that of other diseases.Ovarian Cancer Canada is the only national charity in Canada solely dedicated to overcoming ovarian cancer: a disease, which is often overlooked and underfunded. Your efforts today help to support awareness campaigns, education programs, support services, and funding of research all of which are desperately needed.These initiatives are only possible because of you. Community partners, like everyone here, provide a lifeline of funding that is needed for Ovarian Cancer Canada.”

ABOUT ACROSS THE BOARD: Jacqueline Auguste and her life partner Andy Ramjattan (bass player for the band), founded the group in 2013 out of a desire to move their garage and back yard jams to social media. They created a popular cover webseries, “Pick Up & Play” now in its 5th season on Youtube, and decided to take their show on the road with the debut album “JANE ON FIRE”, released in June of 2016. Since then, Across The Board has played to sold-out crowds across Ontario, and from Newfoundland to Vancouver. Recipients of four international music awards for work on “JANE ON FIRE” and “AMENDS”, ATB is set to take off yet again on tour this spring and summer across Southern Ontario and into Quebec and the Maritimes with “SONIC BOOM”. ATB is a 2018 Josie Music Awards nominee.

ELECTRONIC PRESS KIT:
http://acrosstheboardband.ca

DOWNLOAD LINK FOR TRACKS:
http://www.acrosstheboardband.ca/tracks.html

SOCIAL MEDIA AND WEBSITE LINKS – ACROSS THE BOARD
Watch us and subscribe on Youtube: http://youtube.com/atbmusiccanada
Please Like us on Facebook: https://www.facebook.com/acrosstheboardproductions
Follow us on Twitter: @ATBmusicCanada https://twitter.com/ATBmusicCanada
Hear us on Soundcloud: https://soundcloud.com/across-the-board-music
Visit us at iTunes: https://itunes.apple.com/ca/artist/across-the-board/id719845554
Check us out on Reverbnation: http://www.reverbnation.com/acrosstheboardmusic
Stalk us on Instagram: http://instagram.com/acrosstheboardband
Read our blog: http://acrosstheboardmusic.wordpress.com
Patronize us at Patreon: http://patreon.com/acrosstheboard
Buy our tunes at BandCamp: http://acrosstheboardmusic.bandcamp.com

Playlist us on Spotify:
https://open.spotify.com/artist/6vqlpaWpOMN5TSyWnNOgmi

OFFICIAL WEBSITES:
http://acrosstheboardmusic.ca – ATBs official website
http://acrosstheboardband.ca – ATB’s electronic press kit
http://acrosstheboard.band – ATB’s wordpress blog
http://pickupandplay.tv – ATBs Youtube fanpage
http://janeonfire.ca – ATBs full length debut album

TOUR DATES: https://tourbox.songkick.com/artists/8756314/calendar

Michael Stover
MTS Management Group
4124455282
email us here

“She’s Listening”- Across The Board in support of Ovarian Cancer Canada


Source: EIN Presswire