World’s Most Customizable OTT Platform heads to IBC: Register with Muvi to get an Exclusive CMS Walkthrough

Meet Muvi at IBC 2019 - OTT platform provider

After a successful stint at Broadcast Asia Singapore, Muvi eyes the IBC turf to promote its Zero Coding streaming platform.

NEW YORK, NEW YORK, USA, August 22, 2019 / — Muvi, the New York-based online video, and audio streaming platform provider is all set to feature in the world's most influential media and technology convergence, IBC with its acclaimed OTT solution noted for its highly customizable architecture and instant deployability. Muvi will be housed in Hall 14 Booth B-02 at the event taking place at RAI, Amsterdam.

Muvi has time and again manifested that simplicity, personalization, advanced monitoring, compliance, and diversification are the keys to sustainability in the digital space. A portfolio of 500+ happy customers across 40+ countries connote the very fact Muvi believes in – “A product is based on customer’s want.”

Seamless content distribution any time on any device has been Muvi’s forte stemming out of its end-to-end platform that includes everything from hosting to monetization and from billing to analytics for a scalable profitmaking streaming business.

Muvi’s carrier-grade ready-to-deploy streaming suite boasts intelligent media processing, file-based quality control, native app, player, out-of-the-box features such as policy engine, visual designer, AI-powered recommendation engine, etc. to process and deliver enterprise-quality video and audio stream securely across multiple screens and devices.

“1 out of 15 customers of Muvi have migrated from other platforms”, quotes Jyoti Nayak, Head of Marketing, Muvi. He adds “Muvi believes in the power of customization ever since it rolled out its’ end-to-end streaming platform in the market. From an out-of-the-box, end-user facing feature to any third-party platform integration, Muvi’s technology-agnostic platform has provided a sigh of relief to those who had subscribed to other vendors but failed to curate a streaming platform that resonates with the premium audiences. All they need was a customized solution suitable to their respective business and Muvi delivered what they wanted with aplomb.”

For the 5-day long event starting from 13 Sep, Muvi is geared up to provide a detailed walk-through of the CMS to meeting registrants with a sneak peek at its upcoming features. For a detailed business consultation session at the event, Book a Meeting now with Muvi.

Muvi Expert Tips: Make the most of your meeting at IBC by taking a 14-day Free Trial of Muvi today. An already running platform and your own CMS will bring immense clarity to the discussion when we meet at the show. Because by that time you would exactly know what you want for your streaming channel and our team could better suggest. See you in Amsterdam!

About Muvi:

Muvi LLC is a prominent product-based SaaS company based out of New York. The company provides cloud-hosted streaming platform and end-to-end solutions for video/audio content owners, broadcasters, TV networks, and content aggregators to launch their own-branded, multi-screen, multi-format OTT streaming service such as Netflix, Prime Video, Spotify, Deezer, etc. that can offer both Live & On-Demand content and be delivered across Web, Mobile, and TV instantly.

The company has gained international recognition in audio/video streaming space and is trusted by 350+ clients in over 50 countries across territories including North America, Europe, Latin America, Middle-East, Africa, Australia, and Asia.

For more information on Muvi LLC, visit

Jyoti Nayak
+91 89174 39679
email us here
Visit us on social media:

Muvi Exhibiting at International Broadcasting Convention (IBC) 2019 | Amsterdam

Source: EIN Presswire

Abby K "It Should Have Been Me" Single Out Now

Bassist and singer Abby K sits on stairs with bass guitar.

Bassist and singer Abby K has released “It Should Have Been Me.”

16-year-old North Carolina Rocker's Debut Song Available Via The Orchard, a Sony Music Subsidiary, On All Music Platforms.

She’s a powerhouse.”

— Eddie Z

LOS ANGELES, CA, UNITED STATES, August 22, 2019 / — Abby K, a 16 year-old bassist/vocalist, is pleased to announce that her debut single “It Should Have Been Me” via The Orchard, a Sony subsidiary, is out now on all listening platforms. The Mooresville, N.C. rocker’s track features performances by Pat Gerasia and Dave McGarry from Billboard charting band Red Sun Rising and “new to the scene” guitarist Logan Foland.

Abby K has collaborated with her manager and producer, Eddie Z, to bring “It Should Have Been Me” to life as a powerful rock song with a pop hook. The song has been likened stylistically to Halestorm and Avril Lavigne by music industry insiders. “It Should Have Been Me” has also been praised by Alice Cooper’s guitarist Nita Strauss, who took a notice to Abby’s incredible talent early on and welcomed the young virtuoso to open for her on two different occasions.

“Abby K is one of the most gifted and focused musicians that I’ve worked with,” Eddie Z, 25-year industry veteran and owner of Charlotte’s The Playroom Rehearsal & Recording Facility, said. “It’s amazing to see this teenage girl walk onstage and deliver a ferocious, punch you in-the-mouth, performance. She’s a powerhouse.”

Abby K got hooked on hard rock after seeing Gene Simmons at a KISS concert that she attended with her dad. She put in the hours of practice to become the phenom that she is today. In the summer of 2018, she was one of only three bassists to be selected to attend Grammy Camp in Los Angeles. Abby K is focused on getting her music to the masses and improve at her craft every day.

Her age is a non-factor. “Just because I’m still in high school, it doesn’t mean that I take this lightly,” she said. “This is the career that I’ve been preparing for my whole life and I’m ready to be an inspiration to other girls that want to rock.”

Melissa L Kucirek
Moxie Publicity
+1 402-677-0930
email us here

Watch the Explosive “It Should Have Been Me” Video

Source: EIN Presswire

"New Earth," A Song for the Future by Kate Magdalena

And I saw a new heaven, and a new earth, for the first heaven and the first earth had passed away.

San Francisco Artist Kate Magdalena Sings A Possible Future

If the collective imagination has power, holding the image of the earth healed and whole may serve us.”

— Kate Magdalena

SAN FRANCISCO , CALIFORNIA, UNITED STATES, August 22, 2019 / — Into the dark pond of looming environmental challenges, Kate Magdalena offers her latest song “New Earth.” Like the calm at the center of a storm, the song and accompanying artwork by California visionary painter Suzanne De Veuve, posit an earth healed and whole, a living planet in a universe created by a loving intelligence. Beyond the human ravages upon nature, the earth continues to pour its abundant life upon humankind, and if given the chance, can heal. Beyond the human manipulation of the earth’s natural systems, beyond the threat of nuclear disaster, beyond the destruction of the earth’s forests and oceans, beyond the wars, Kate puts forward the picture of the earth healed. If the collective imagination has power, as Carl Jung expressed, then holding a picture of the earth healed and whole may serve as a constructive inspiration, offering possibilities that the opposing view does not. The song also echoes the words powerfully expressed in the Bible, "For behold, I create new heavens and a new earth, and the former things will not be remembered, nor come to mind." Isaiah 65:17

“New Earth” is the most recent release from Kate’s upcoming album “A Larger Dance,” coming this October. The recordings have been produced by GRAMMY-nominated producer Billy Smiley (Johnny Cash, Whiteheart, Clay Aiken, and the Newsboys) and feature some of Nashville’s finest musicians with Fred Eltringham (The Wallflowers and Sheryl Crow), Byron House (Robert Plant and the Band of Joy), Blair Masters (Garth Brooks) and Brennan Smiley (The Technicolors).

To listen to the song:

To view the music video:

To receive a free MP3 download of NEW EARTH as a gift:


Kate Magdalena is a singer-songwriter out of Northern, CA. She has an ability to move listeners with her clear voice, to bring healing, joy, and deep feeling. Magdalena was raised in an era in which people looked to the arts and music to inspire social change. In the tradition of Bob Dylan, some of her music is directed to the pressing issues of the time. She is looking forward to bringing her songs to listeners throughout the world both through the internet and in live performance.

For further information, please contact

Kate Magdalena Willens
Kate Magdalena Music LLC
+1 707-321-8579
email us here
Visit us on social media:

Source: EIN Presswire

LA Songwriter Bob Beland Releases New Album “Welcome” Plus 3 Unreleased Studio Albums

Bob Beland - Welcome Cover

Bob Beland – Welcome

LOS ANGELES, CA, USA, August 21, 2019 / — Bob Beland is an American born musician/songwriter from Los Angeles, CA, where he has performed, written and recorded original music from 1973 to the present. Much to the excitement of his fans worldwide, Bob has just released his much anticipated seventh studio album “Welcome” on his own Wrong Way Works label. Along with the release of “Welcome”, Bob recently collaborated on a track for 10cc/Godley & Creme legend Kevin Godley for his forthcoming solo album!

“Welcome” is my seventh self produced solo album release and was written and recorded over 2018 at Wrong Way Works, Mar Vista, California. Extra special credit should be given to my good friend Greg Embrey for all of his help and involvement along the way. The opening track, “Rocky Up! (love theme from “The Bang Bang Theory”) is an instrumental version of a song I co-wrote earlier last year with Kevin Godley, from the acclaimed UK band 10cc and groundbreaking art rockers Godley & Crème fame, which is called “The Bang Bang Theory” that will be included as part of his first solo album “Muscle Memory” due out soon on the UK label state51conspiracy.

Bob Beland decided to release three other studio albums that he recorded over the last three years but never released until now.

“Forward and Backworks” is a conceptual idea for orchestra that I recorded in 2015. The title refers to the four opening tracks and music that has a reverse or “mirror” counterpart. The album also contains four other original compositions. The sole guest musician on the album is classical violinist Paula Kuhr from the acclaimed multi Ethnic orchestra MESTO.

“Mar Vista” was recorded in 2016 and features the only guest musician on the album, Grammy award winning classical percussionist T.J. Troy whom I met as a member of the MESTO orchestra.

“Mano Sinistra” Latin music terminology for “to be performed with the left hand” was recorded in 2017 and features the talents of acclaimed pedal steel player Greg Leisz who has recorded and performed with renowned music artists such as k.d. lang, Joni Mitchell, Eric Clapton, Van Morrison, Bob Dylan and whom I first met as a member of the Funky Kings with Jules Shear, Jack Tempchin and Richard Stekol way back in 1975. Peter Curry on drums and bass is better known as the bassist for Los Straightjackets. I’ve also worked with Pete before on my first full album “Amnesia Lane” as well as co-writing a few instrumentals for his surf group the Halibuts. Pedal steel player and premier microphone designer Dave Pearlman, The Legendary Fontenelle DuClaw on keyboards, bass, and vocals, bassist Joe McGrath and vocalist Remy Beland round out the rest of the musical guests on the album.

Now, a little background on the players who contributed their time and talents to “Welcome.”

Greg Embrey was the co-founder of the mid 70’s L.A. rock band the Furys whom I later joined as their lead guitarist in the mid 80’s. A.K.A. The Legendary Fontenelle DuClaw

Bob Gross is someone I’ve known since the early 1970’s. Among the other acts he’s worked with was Delaney Bramlett of Delaney & Bonnie fame and currently can be seen and heard gigging with the Deanna Bogart Band. Bob is also playing on “The Bang Bang Theory” for Kevin Godley as well.

Richard d’Andrea is a friend and former Furys alumi who’s been a mainstay in the L.A. rock scene since the 70’s most notably founding the Know with Gary Valentine and working with musicians such as the Roosters and Carla Olson. Richard’s just released his first solo album under the handle Raw Terra called “Mars 12 Earth 0.”

Bobby Pickett is another dear old friend who worked extensively with the great Etta James, Sugarloaf, Detective, Jimmy Page and many other top names in music.

Doug D’Martino is from an earlier incarnation of the Furys

Marty Korth is a long standing friend of mine who also spent some time in the Furys and has played bass on other songs that I’ve written and recorded over the years. He’s a great film animator as well working on many classic Walt Disney and Hanna Barbarra features.

Stephen Linsley is a new friend I met through my old buddy Jules Shear. Stephen was the original bassist in the Jim Carroll Band and is also a fine portrait photographer.

Joe Conte is yet another former member of the Furys who came in at the last minute and played some very cool harmonica for me on “Rocky Up!’

Allie Menapace is an acoustic bassist I met through my old friend Peter Curry from Los Straightjackets fame. Pete suggested Allie for my song “Welcome Me” and she came through with flying colors.

Kevin Louden is a fine pedal steel guitarist, dobro, and multi-instrumentalist I’ve gotten to know over the past few years who’s based in Frederic, Wisconsin and plays all throughout the state.

Me? I’m just a musician. You can tell me by the way I walk… Enjoy!
Bob Beland
Mar Vista, Ca

Bob Beland's Facebook page:

All of Bob’s music is currently available at these on line music retail outlets – CD Baby, Apple MUSIC, iTunes, Pandora, Deezer, Google Play, Tidal, Facebook, Amazon Music Spotify and most other streaming subscription music services as well as SoundCloud and for licensing opportunities – Songtradr.

Press inquiries:

Billy James
Glass Onyon PR
email us here

Source: EIN Presswire

Oscar Winner Nicolas Cage has a Hot Young Son You Need to See to Believe

Weston Cage Coppola

Filmmakers claim Weston Cage Coppola is on par with his A-List father, after a breakout leading role and getting snagged by entertainment mogul Chuck Binder

LOS ANGELES, CA, UNITED STATES, August 21, 2019 / — Since his breakout leading role in D-Day, Weston Cage Coppola is now represented by the entertainment powerhouse, Chuck Binder. Binder has represented several veteran actors; Sharon Stone, Brooke Shields, Benjamin Bratt, John Lovitz, Daryl Hannah, Jamie Lee Curtis and many more.

Weston has been busy this year with multiple projects in post including his leading role in “D-Day” (Directed by Nick Lyon), co-starring his best friend Jesse Kove, and UFC Legends, Chuck Liddell and Randy Couture, “Freak Power Battle For Aspen” (rumored to be a prequel of Fear And Loathing In Las Vegas, Directed by Bobby Kennedy III), Starf*cker (directed by Mark David) and is scheduled to film MR-9 with Mickey Rourke in Africa in September 2019. He is also the first Cage/Coppola to venture from film to television with his appearance in NCIS: Los Angeles alongside LL Cool J. As of 2019, NCIS is second-longest-running scripted prime time TV series airing.

Weston comes from a long line of actors and filmmakers, Actor/Father Nicolas Cage, Actress/Mother Christina Fulton, Uncle Francis Ford Coppola, Aunt Talia Shire, Gia Coppola, Sofia Coppola, Robert Schwartzman, Jason Schwartzman, Anton Coppola, and music composer of the Godfather’s Carmine Coppola. Exploring a martial arts career in his teens, earning 3 black-belts, and then a music career as a young adult he is now officially carrying the film-making torch.

Weston has previously been portrayed in the media as a kind of “bad boy” type, and now he’s taking on leading roles. His emergence into more mainstream film, television and music is indicative of this dramatic change. We think it has something to do with his stunning new bride. Weston married Hila Cage Coppola, his girlfriend of two years in 2018 after he converted to Judaism. The adorable couple work and travel together for productions.

Weston’s performance in the WW2 film D-Day has been met with praise from the filmmakers; “Weston Cage Coppola became James Earl Rudder, his performance was transformative and it was amazing to observe," states Nick Lyon, director of D-Day, "he became a true leader, so charismatic that he could even call older actors “son” convincingly. From voice to posture, to overall presence, he was a different man. It’s very rare that I get to work with an actor who takes a role to the next level. He gives more than what I asked for. He gave me what I wanted. Somehow he channeled the ghost of James Earl Rudder. It was amazing to watch him take the performance to the next level. It’s rare to see an actor become their subject, and Weston possesses this ability.”

“The Asylum has delivered a dramatic, action-packed WWII movie anchored by a strong leading performance from Weston Cage Coppola” -Yolanda Macias, Cinedigm’s Executive Vice-President of Acquisitions.

"I am a big fan of the work Weston Cage Coppola did in this film, the movie sits on his shoulders." -David Rimawi, Co-Founder of The Asylum.

"Weston Cage Coppola has a breakout leading role in D-Day. Surrounded by a top notch cast, he stands out and continues the family dynasty with his performance." -David Latt, Co-founder of The Asylum and producer of D-Day

Aurora DeRose
Michael Levine Media
+1 310-396-6090
email us here

Source: EIN Presswire

Bard on the Beach Shakespeare Festival announces its 2020 season lineup: Love, Wit, Warfare & More

Our 31st Season is designed to entertain and inspire live theatre lovers of all kinds. It offers tempting choices for one and all.”

— Christopher Gaze, Bard on the Beach Artistic Director

VANCOUVER, BC, CANADA, August 21, 2019 / — While the 30th season of Bard on the Beach continues until September 21, Artistic Director Christopher Gaze has just announced the lineup for the Festival’s 31st Season, which will run from June 11 to September 26, 2020. It includes the most popular play in Bard’s history, plus a thrilling historical drama, a music-filled Jazz Age romance and a provocative contemporary play based on Milton’s Paradise Lost.

On the BMO Mainstage, the beloved comedy A Midsummer Night’s Dream, which has delighted audiences around the world and across the ages, plays in repertory with Shakespeare’s epic historical tale, Henry V. The Howard Family Stage offers two contrasting productions: Love’s Labour’s Lost, a restaging of Bard’s 2015 hit Jazz Age production, alternating with Paradise Lost, a critically acclaimed modern take on the battle between good and evil. Says Gaze: “Our 31st Season is designed to entertain and inspire live theatre lovers of all kinds. It offers tempting choices for one and all, whether you’re a committed Shakespeare fan or you’ve never seen a play at Bard before.”

Here are the plays, in short:

A Midsummer Night’s Dream – Shakespeare's comic masterpiece follows four desperate lovers and a troupe of stumbling actors through enchanted woods, on a journey of discovery to find out who they are, who they love, and why it matters. Set against a backdrop of early Industrial Revolution, enter into a place where the natural and supernatural worlds have merged, with elves, goblins, and talking trees guiding the way. Come see what lies beyond the ordinary – and lose yourself in the magic!
Directed by Scott Bellis (The Two Gentlemen of Verona, 2017). Runs from June 11 – September 26.

Henry V – Set in a mythical realm and inspired by medieval fantasy, Henry V is a sweeping, emotional tale of two kingdoms at war. Young King Hal moves from innocence to hard-won experience as he leads his country into battle, struggling against the advice of his senior counsellors, his own doubts, and the spectres of two powerful paternal figures: his father, Henry IV, and the trickster Falstaff. This riveting story explores what burden is placed on our young leaders when they face conflict, what price they will pay, and how much blood will be on their hands?
Kate Besworth (The Taming of the Shrew, 2019) plays King Henry. Directed by Lois Anderson (The Taming of the Shrew, 2019; Lysistrata, 2018). Runs from June 12 – September 20.

Love’s Labour’s Lost – It's the Jazz Age, the music is live and the party is in full swing, but a rum-running kingpin and his pals have chosen to turn their backs on the liquor and the ladies. They intend to follow a simpler, scholarly life – but can their resolve hold fast against the temptations of three beautiful, witty women? This revival of Bard’s 2015 hit makes a joyous return to 1920s Chicago and is filled with live performances of American Songbook classics.
“Thou canst expect a rip-roaring, speakeasy-happy time.” Georgia Straight (2015)
Directed again by Daryl Cloran (As You Like It, 2018; Shakespeare in Love, 2019). Runs from July 3 – September 26.

Paradise Lost – by Erin Shields
The battle is on for the souls of Adam and Eve, in this provocative retelling of John Milton’s epic poem, Paradise Lost.
Satan has been kicked out of Heaven and is bent on revenge. She learns of a new creation – “humans” – and escapes from Hell, determined to undo what God has created. In a time when we’re asking ourselves fundamental questions about the nature of humanity, playwright Erin Shields takes us beyond traditional ideas of good and evil to look deep into our own souls. First produced by the Stratford Shakespeare Festival in 2018, this is the play’s first Western Canadian staging.
“Brilliant. Irreverent, extremely funny and stingingly contemporary.” Toronto Star (2018)
Jessie Award-winner Colleen Wheeler plays Satan. Directed by Anita Rochon (Cymbeline, 2015).
Runs from July 10 – September 20.

The 31st Season will also offer a variety of special events, from orchestral and opera concerts to the popular Bard-B-Q & Fireworks nights. Updates on the 2020 Festival will be posted regularly at .

Tickets and packages: Advance sales of 2020 Bard Season Packs begin Wednesday August 21, 2019 and offer a substantial discount on tickets to all four productions. The lowest Season Pack price of the year – $167 – will be in effect until September 3, after which the price of the voucher package will rise. Flex Packs go on sale in November, and single tickets in early April 2020. Order Season Packs now through the Bard website or by calling the Bard Box Office at 604-739-0559.

NOTE: All run dates and casting are subject to change.

Cynnamon Schreinert
email us here

Source: EIN Presswire

Joe Empire – Serves the Community with #Back2SchoolBash – North Little Rock, AR

Joe Empire

SAROY Saving and Redirecting our Youth

Joe Empire Intimate Inspirations Vol. 1

Giving Back to the Community School Supplies for Children of North Little Rock, AR

"It was our pleasure giving back to our community and helping children prepare for the upcoming school year".”

— Joe Empire

NORTH LITTLE ROCK, AR, USA, August 21, 2019 / — Joe Empire donates School Supplies for Back to School.

Joe Empire along with his nonprofit organization, hosted a #back2schoolbash for children of North Little Rock, AR – held at Burns Park, Shelby Smith Pavilion. This was his inaugural event.

Despite the torrential downpour of rain on Saturday, August 10, 2019 – which carried over to early afternoon, parents and children still arrived to the rain soaked park. “The show must go on” states Hall, founder of, “We provided school supplies to several 100 families, backpacks filled with all the necessary school supplies". There was food, held a listening party, had giveaways, and much more. Many items were donated through co-sponsorship from local stores, such as Walmart, Old Navy and Office Depot from the North Little Rock Area, we truly appreciate their generous donations, for the children in our community. – Stands for Saving and Redirecting our Youth. Located in North Little Rock, AR. Our mission, is to create an environment for our youth, that not only gives them a safe haven, but a place wherein they could turn for encouragement, technical training and big brother & big sister mentorship. We believe in giving our children the very best opportunities to help them achieve a level of success in whatever endeavor they choose.

"It was our pleasure giving back to our community and helping children prepare for the upcoming school year. Joe Empire also known as Joseph Hall – is an American Rapper – Inspirational Artist. Event was held in conjunction with his latest release of his new EP “Intimate Inspirations” available on all digital downloads.

Rachelle Love
Love PR + Marketing Agency
+1 323-405-9374
email us here

Saroy Saving and Redirecting our Youth

Source: EIN Presswire

Global Stock Music Market – Audio Network, Getty Images, Shutterstock, Musicbed, & Envato to Top the Leading Player List

Global Stock Music Market Size Forecast 2024

Global Stock Music Market Size Forecast 2024

Best Market Research Report

Arizton Advisory and Intelligence

Stock Music Market Research Report 2024

Stock Music Market Research Report 2024

Stock Music Market Segments 2024

Stock Music Market Segments 2024

Major stock music companies included in the report

Major stock music companies included in the report

The global stock music market is expected to grow at a CAGR of about 9% during the forecast period.

Attractive financing conditions and growing corporate profitability are stimulating the growth of the European stock music market”

— Abby, Sr Consultant

CHICAGO, IL, UNITED STATES, August 21, 2019 / — Arizton's market research report on the global stock music market covers market sizing and forecast, market share, industry trends, growth drivers, and vendor analysis. It includes insights on segmentation by-products (tracks and sound effects), license (royalty-free and licensed music), end-users (large business, SMEs, and individual content creators), and geography (North America, APAC, Europe, and ROW).

The global stock music market is driven by the following factors:
• Increased traction of audio-based user experiences
• Growth of platform integration
• Increasing intuitiveness of filters

The demand for subscription licenses of tracks, loops, and sound effects and lifetime licenses of theme tunes is expected to shape the demand in the stock music market. The growth of TV-style programming, and the growing popularity of sound design-first approach are contributing to the growth of the stock music market size. The demand for royalty-free and licensed music is spurred, and vendors are designing their products and services around the theme of independent content creation. There has also been an emergence of new platforms such as Tongal, which is a global community of creators that collaborate with studios, networks, and brands to develop video content for several platforms. Such communities are more likely to rely on stock music than commission its production, thereby taking stock music to major brands.

Request for a free sample here!

The study considers the present scenario of the global stock music market and its market dynamics for the period 2018−2024. It covers a detailed overview of several market growth enablers, restraints, and trends. The study covers both the demand and supply sides of the market. It profiles and examines leading companies and other prominent companies operating in the stock music market.

Stock Music Market: Segmentation

The research report includes a detailed segmentation of the market by product, license, end-user, and geography. The age of personal creation is fueling the stock music market by tracks. As the market was once dominated by low-quality music and kept great musicians out of the game, emerging business models harmonize the quality and price. This helps genuine composers to re-enter the field and raise the standard of the industry, thereby driving the demand for stock tracks. Also,modularity has become increasingly relevant in the stock music marketplace with players putting musical expression at the fingertips by enabling users to build their own track with component tracks, re-balance the music to fit audio elements and voice-overs. The tracks segment dominated the market in 2018. The rise of sound libraries is an emerging trend in the market. The stock music market size by sound effects is expected to grow at a high CAGR during the forecast period. The increasing trend of“quality over quantity” is shifting focus from royalty-free to licensed music, thereby accelerating the growth of the licensed music segment. Several SMEs and individuals are finding the royalty-free model appealing and economical. The intensifying start-up culture in high-growth countries such as India is expected to boost the demand for royalty-free music. Further, key vendors are focusing on online affiliates and organic search, aimed at gaining speed and building authority in search listings by offering strong content, which is expected to drive the stock music market globally.

SMEs and individual content creators are growing at high CAGRs and are expected to fuel the market in the coming years. The rise in corporate profits that have created more income for employers is driving marketing spend. The shift of listeners to digital channels has created opportunities for stock music players. The growth of online radio services has fueled small business advertising via audio channels since they offer reliability by allowing tracking and targeting. This is boding well for the growth of the SME stock music market. The growth of influencers (individual content creators) has led to the rapid ascent of subscription licenses, specifically among high audio-visual oriented sectors such as travel, fashion and style, photography, food, lifestyle, sports and fitness, and DIYs. This evolution is expected to contribute significantly to the growth of the global stock music market.

Market Segmentation by Products
• Tracks
• Sound Effects
Market Segmentation by License
• Royalty-free
• Licensed Music
Market Segmentation by End-user
• Large Business
• SMEs
• Individual Content Creators

Stock Music Market: Geography

The growing need for audio-visual and interactive storytelling is emerging as a new opportunity in the North American stock music market. The APAC region is characterized by strong advertising spending. Rapidly changing media landscape is fueling growth. The growth of the European stock music market has picked up and is stimulated by attractive financing conditions and growing corporate profitability. The market has entered the post-desktop banner phase, thereby driving up the usage of video and mobile, taking over TV advertising spending back in 2015. There is a high reliance on services that allow brands to leverage user-generated social content and develop personalized videos with brand messages integrated into them. Stock music has thus found new spaces for growth further amplified by the growth of programmatic video advertising.

Market Segmentation by Geography
• North America
o US
o Canada
o China
o Japan
o India
o South Korea
• Europe
o UK
o Germany
o France
o Italy
o South Africa
o Brazil

Key Vendor Analysis
The global stock music market is moderately consolidated. Single artist, community-based and mass players are the three types of agencies present in the global stock music market. There are a number of specialist agencies that are catapulting the industry forward just as they keep up with technology and demand developments.In addition, there are several small and large vendors that are altering the stock music business by new approaches and models such as subscription-only. Further, vendors will compete on quality, distribution capabilities, brand recognition and reputation, degree of localization, and customer service.

Key Vendors
• Audio Network
• Getty Images
• Shutterstock
• Musicbed
• Envato
Other Prominent Vendors
• 123rf
• Art-list
• Audiosocket
• Bensound
• Dreamstime
• Earmotion
• Epidemic Sound
• FyrFly-SongFreedom
• Jamendo
• Marmoset
• Motion Array
• Music Vine
• MusicRevolution
• Neosounds
• Pond5
• Soundsnap
• Soundstripe
• Storyblocks
• The Music Case
• Videvo

Key market insights include

1. The analysis of the stock music market provides market size and growth for the forecast period 2019–2024.
2. It offers comprehensive insights on current industry trends, trend forecast, and growth drivers about the stock music market.
3. The report provides the latest analysis of market share, growth drivers, challenges, and investment opportunities.
4. It offers a complete overview of stock music market segments and the regional outlook of the market.
5. The study offers a detailed overview of the vendor landscape, competitive analysis, and key market strategies to gain competitive advantage.

Looking for more information? Download a report now!

Arizton Advisory & Intelligence
+1 312-235-2040
email us here

Source: EIN Presswire

Jimi Hendrix Sicks Stadium 7/26/70 Concert Poster Headlines Psychedelic Art Exchange Auction

The first Jimi Hendrix Siskcs Stadium 7/26/70 concert poster to appear at public auction

Doors Electric Circus 8/8/69 concert poster

This Doors Electric Circus 8/8/69 concert poster is considered one of the most beautiful Doors posters ever created

Original Rick Griffin artwork, 1962

This piece of original artwork by Rick Griffin is being auctioned by Psychedelic Art Exchange

Rare Doors Electric Circus 8/8/69 concert poster and original Rick Griffin artwork could also command record prices.

BALTIMORE, MARYLAND, USA, August 20, 2019 / — Collectors are closely watching a high quality specimen of the ultra rare Jimi Hendrix Sicks Stadium 7/26/70 concert poster that is now open for bids. The poster is one of just a handful known and is in excellent condition. It is the very first example to appear at public auction and is estimated to bring $7,500-$15,000.

The famed vintage Hendrix concert poster is being auctioned by Psychedelic Art Exchange at Bidding is now open and ends August 22, 2019 at 9:00pm ET.

“This is universally recognized as one of the rarest and most desirable Jimi Hendrix concert posters ever created,” explains Glen Trosch, President of Psychedelic Art Exchange. “Just a handful of the Hendrix Sicks Stadium 7/26/70 concert poster are known to exist, and this is the very first opportunity we have had to present this rarity in our auction. That’s why our phones are ringing off the hook!”

The poster is part of Psychedelic Art Exchange’s August Mega Auction that features 115 vintage concert posters and handbills. All lots in the auction are being sold unreserved and all lots have a starting bid of just $1.00.

Other highlights of the vintage concert poster auction include:

The Doors Electric Circus 8/8/69 concert poster cataloged Apparent Mint 93. This is widely considered to be one of the most beautiful Doors concert posters ever created. It’s also the finest quality specimen to ever be auctioned by Psychedelic Art Exchange

An original Rick Griffin pen and ink drawing from 1962. Rick Griffin is perhaps the most legendary concert poster artist in history and this one of a kind drawing is from the earliest days of his career.

“Collectors are really excited about this auction because they have the opportunity to bid on many items we’ve never offered before,” added Trosch. “And with bidding on all 115 vintage concert posters starting at just $1.00, there is something of interest for collectors of every taste and budget.” Check out the Psychedelic Art Exchange auction at

Scott Tilson
Psychedelic Art Exchange
+1 435-659-1660
email us here
Visit us on social media:

Source: EIN Presswire

Global Music Streaming Subscription Service Market Report 2019-2025 by Technology, Future Trends, Top Key Players & more

A new market study, titled “Global Music Streaming Subscription Service Market Size, Status and Forecast 2019-2025”, has been featured on WiseGuyReports.

PUNE, MAHARASTRA, INDIA, August 20, 2019 / — Music Streaming Subscription Service Market

Music streaming services give you access to millions of songs for a monthly subscription fee so you don’t have to buy individual songs or albums anymore. Spotify is the best music streaming service for most people, but Apple Music, Tidal, Amazon Music Unlimited, and YouTube Music are also great options, depending on your needs. 

This report focuses on the global Music Streaming Subscription Service status, future forecast, growth opportunity, key market and key players. The study objectives are to present the Music Streaming Subscription Service development in North America, Europe, China, Japan, Southeast Asia, India and Central & South America.

The key players covered in this study 
Amazon Prime 
Apple Music 
YouTube Music 
Google Play Music 
Tencent Music 

Request Free Sample Report at

Market segment by Type, the product can be split into 
Audio Music Streaming 
Video Music Streaming

Market segment by Application, split into 
Individual Users 
Commercial Users

Market segment by Regions/Countries, this report covers 
North America 
Southeast Asia 
Central & South America

The study objectives of this report are: 
To analyze global Music Streaming Subscription Service status, future forecast, growth opportunity, key market and key players. 
To present the Music Streaming Subscription Service development in North America, Europe, China, Japan, Southeast Asia, India and Central & South America. 
To strategically profile the key players and comprehensively analyze their development plan and strategies. 
To define, describe and forecast the market by product type, market and key regions.

Table of Content:
1 Report Overview 
2 Global Growth Trends 
3 Market Share by Key Players 
4 Breakdown Data by Type and Application 
5 United States 
6 Europe 
7 China 
8 Japan 
9 Southeast Asia 
10 India 
11 Central & South America 
12 International Players Profiles 
13 Market Forecast 2019-2025 
14 Analyst's Viewpoints/Conclusions
15 Appendix 

View Detailed Report at

About Us:
Wise Guy Reports is part of the Wise Guy Research Consultants Pvt. Ltd. and offers premium progressive statistical surveying, market research reports, analysis & forecast data for industries and governments around the globe.   

646-845-9349 (US), +44 208 133 9349 (UK)
email us here
["facebook", "twitter", "linkedin"]
{"facebook"=>"", "twitter"=>"", "linkedin"=>""}

Source: EIN Presswire